related exhibition

This summer grouping has a school break vibe: Plastic mesh grounds, lumps of plasticine clay, vividly colored string, and thick strokes of paint imbue Richard Tuttle’s 2005 “Space-Is-Concrete” series with a sweet joie de vivre. Malcolm Morley’s massive oil painting “Rat Tat Tat” presents a colorful array of parts from World War I biplanes: With five-foot wingspans, these cutout models of Nieuports and Fokkers await a Brobdingnagian kid to fulfill their destiny. Bertozzi & Casoni’s amazingly lifelike glazed-ceramic sculpture features an ape perusing a copy of “L’Origine Delle Specie,” surrounded by chain-smoked cigarette butts snuffed out in the tarry dregs of espresso cups.