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Charles LeDray
| Born | 1960 Seattle, WA
Lives and works in New York |
| ONE PERSON EXHIBITIONS |
| 2010-2011 | “Charles LeDray: workworkworkworkwork,” Institute of Contemporary Art/Boston, Boston, MA, 16 July – 17 October 2010; Whitney Museum of American Art, New York, NY, 18 November 2010 - February 2011; Museum of Fine Arts, Houston, TX, June – September 2011 |
| 2009-2010 | “Charles LeDray: MENS SUITS,” An Artangel Commission, London, England, 28 May – 28 August; Museum Boijmans Van Beuningen, Rotterdam, Netherlands, 21 November 2009 – 10 January 2010 |
| 2007 | Sperone Westwater, New York, 20 February - 24 March. |
| 2004 | Galerie Schmela, Düsseldorf, 22 October – 4 December. |
| 2003 | Sperone Westwater, New York, 30 January – 1 March |
| 2002-2003 | Institute of Contemporary Art, Philadelphia, PA, 18 May - 14 July 2002; The Arts Club of Chicago, Chicago, IL, 15 September - 30 November 2002; Yerba Buena Center for the Arts, San Francisco, CA, 25 January - 6 April 2003; Seattle Art Museum, Seattle, WA, 25 April - 27 July 2003 (catalogue) |
| 1996 | Richard Telles Gallery, Los Angeles, 8 June - 6 July |
| | Jay Gorney Modern Art, New York, 6 April - 11 May |
| 1994 | Jack Hanley Gallery, San Francisco 6 January - 2 February |
| 1993 | Tom Cugliani Gallery, New York, January - February. |
| GROUP EXHIBITIONS |
| 2010 | “Size DOES Matter,” The FLAG Art Foundation, New York, 19 February – 27 May 2010 (catalogue) |
| 2009 | “In Stitches,” Leila Taghinia-Milani Heller Gallery, New York, 12 November – 19 December 2009 (catalogue) |
| “The Endless Renaissance,” Bass Museum of Art, Gertrude Silverstone Muss Gallery, Miami Beach, FL, 17 April – 16 August 2009 |
| “On the Body: Selected Work from the Rachofsky Collection.” UNT Art Gallery, Denton, TX, 20 January – 21 February 2009 (brochure) |
| 2008-2009 | “Human Nature(s),” Worcester Art Museum, Worcester, MA, 15 November 2008 – 15 February |
| 2006-2007 | “Extra-Ordinary: The Everyday Object in American Art,” selections from the permanent collection of the Whitney Museum of Art, Frist Center for the Visual Arts, Nashville, TN, 10 November 2006- 11 February 2007. |
| | “Contemporary, Cool, and Collected,” The Mint Museum of Art, Charlotte, NC, 20
October – 30 December (catalogue, p. 78) |
| 2005 | “Sculpture,” The Cartin Collection, Hartford, CT, 14 October – 5 December 2005. |
| “Clothesline: Art, Clothing, Identity,” Santa Fe Art Institute, Santa Fe, New Mexico, 1 October – 15 November 2005. |
| “Past Presence: Childhood and Memory,” Whitney Museum of American Art, New York, 7 July- 13 October 2005. |
| “One of a Kind: In Homage to ‘Snowflake’ Bentley,” New York Academy of Sciences, 17 June – 31 August 2005. |
| 2004 | “Symbolic Space,” Hudson Valley Center for Contemporary Art, Spring 2004. |
| “Endless Love,” DC Moore Gallery, New York, 7 January – 7 February. |
| 2003 | “Thinking about Sculpture,” The Rachofsky House, Dallas, Texas, 2003 – 2004. |
| “family ties: a contemporary perspective,” Peabody Essex Museum, Salem, Massachusetts, June 21-September 21 |
| 2002-2003 | “Mask or Mirror: A Play of Portraits,” Worcester Art Museum, Worcester, 6 October 2002 – 26 January 2003 (catalogue) |
| | "Rapture: art’s seduction by fashion since 1970,” Barbican Art Gallery, London, 10 October –31 December 2002 |
| 2001-2002 | "Alterations," James Graham & Sons, New York, 21 June - 30 August 2001
"Almost Warm & Fuzzy: Childhood and Contemporary Art," Curated by Independent Curators International, Tacoma Art Museum, 8 July - 17 September 2000; Scottsdale Museum of Contemporary Art, 6 October - 14 January 2001; P.S.1 Contemporary Art Center/MOMA Affiliate, Long Island City, 4 February - 8 April 2001; Fundació "la Caixa", Barcelona, 26 April - 8 July 2001 (catalogue); Crocker Art Museum, Sacramento, 30 August - 4 November 2001; Art Gallery of Hamilton, Hamilton, Ontario, 24 November - 20 January 2002; Cleveland Center for the Contemporary Art, 6 September - 10 November 2002 |
| 2001 | "Postcards from the Edge," Sara Meltzer Gallery, 18 November |
| 2000 | Biennale de Lyon, Lyon, France, 27 June - 24 September |
| 1999-2000 | "I'm Not Here: Constructing Identity at the Turn of the Century," Curated by Sean Mellyn and Jonathan VanDyke, Susquehanna Art Museum, Harrisburg, PA, 2 |
| | December 1999 - 24 February 2000 (catalogue) |
| | "Bodies of Resistance," organized by Visual AIDS, Real Artways, Hartford, CT, 1 December 1999 - 30 January 2000; NSA Gallery, Durban, South Africa, 2-20 July 2000 (catalogue) |
| 1999 | "Matter of Time," curated by Andrew Perchuk, Dorsky Gallery, New York, 7 September - 23 October (brochure) |
| | "Almost Warm and Fuzzy: Childhood and Contemporary Art," Des Moines Art Center, Iowa, 12 September - 21 November (catalogue) |
| | "Summer Group Exhibition," Gorney Bravin + Lee, New York, 19 June - 30 July |
| | "Collectors Collect Contemporary: 1990-1999," curated by Jessica Morgan, Institute of Contemporary Art, Boston, 31 March - 28 May (catalogue) |
| | "Recent Acquisitions," The Whitney Museum of American Art, New York |
| 1998 | La Biennale de Montréal 98: "Dreamcatchers," Centre International d'Art Contemporain, Montréal, Canada, 27 August - 18 October |
| | American Academy of Arts and Letters, New York |
| 1997-2000 | "At the Threshold of the Visible: Minuscule and Small-Scale Art, 1964-1996," curated by Ralph Rugoff, Herbert F. Johnson Museum of Art, Cornell University, Ithaca; |
| | Meyerhoff Galleries, Maryland Institute of Art, Baltimore; Santa Monica Museum of Art, Santa Monica; Edmonton Art Gallery, Edmonton, Canada |
| | "Heart, Mind, Body, Soul: American Art in the 1990's," The Whitney Museum of American Art, New York, 3 December - |
| 1997 | "Present Tense: Nine Artists in the Nineties," San Francisco Museum of Modern Art, San Francisco, 13 September - 13 January 1998 (catalogue) |
| | "The View from Denver," curated by Dianne Vanderlip, Museum Moderner Kunst, Vienna, Austria, 4 July - |
| | "La Biennale di Venezia: XLVII International Art Exhibition," curated by Germano Celant, Corderie Building, Venice, Italy (catalogue) |
| | "As Time Goes By: History, Memory, and Sentimentality," The Whitney Museum at Champion Plaza, Stamford, CT, 6 June - 20 August |
| | "Art on the Edge of Fashion," curated by Heather S. Lineberry, Arizona State University Art Museum, Nelson Fine Arts Center, Tempe, AZ, 2 February - 27 April (catalogue) |
| 1996-1997 | "Biennale di Firenze: Art & Fashion, 1900-2000," curated by Pandora Tabatabai Asbaghi, Fort Belvedere, Florence and Prato, Italy; Guggenheim Museum, SoHo, New York (catalogue) |
| 1996 | "Intermission," organized by Toland Grinnell and Matthew Ritchie, Basilico Fine Arts, New York, 9-19 July |
| | "Labor of Love," curated by Marcia Tucker, The New Museum of Contemporary Art, New York |
| | "Configura 2: Dialogue of Culture," City of Erfurt, Germany (catalogue) |
| | "Fetishism: Power, Desire and Displacement," Brighton Museum and Art Gallery, Brighton, England; Nottingham Castle Museum, Nottingham, England; Sainsbury Centre for the Visual Arts, University of East Anglia, Norwich,England (catalogue) |
| | "Degrees of Abstraction: From Morris Louis to Mapplethorpe," The Museum of Fine Arts, Boston |
| | "Division of Labor: Women's Work," curated by Lydia Yee, The Bronx Museum of the Arts, Bronx; Museum of Contemporary Art, Los Angeles (catalogue) |
| | "Woodworks," Michael Klein Gallery, New York |
| 1994 | "Toys/Art/Us," Castle Gallery, College of New Rochelle, New Rochelle |
| | "Guys Who Sew," University Art Museum, University of California, Santa Barbara |
| | "Transformers: The Art of Multiphrenia," Center for Curatorial Studies, Bard College, Annandale-on Hudson |
| | "Family Ties," P.P.O.W. Gallery, New York |
| | "Lest We Forget/On Nostalgia," Takashimaya, New York |
| | "Le Temps d'un Dessin," Galerie de l'Ecole des Beaux-Arts de Lorient, Lorient, France |
| 1993 | "Anxious Art," Bernard Toale Gallery, Boston |
| | "Mr. Sterling's Neighborhood," Christopher Grimes Gallery, Santa Monica |
| | "Fall from Fashion," The Aldrich Museum of Contemporary Art, Ridgefield, CT (catalogue) |
| | "Charles LeDray/Siobhan Liddell," Jack Hanley Gallery, San Francisco |
| | "Le Principe de Realité," Villa Arson, Nice, France |
| | "Just what is it that makes today's home so different, so appealing?" Galerie Jennifer Flay, Paris |
| | "Bodyguard," Hohenhal und Bergen," Münich |
| 1992 | "Vital Perfection: Sylvie Fleury, Gotscho, Charles LeDray," Galerie Urbi et Orbi, Paris |
| | "The Anti-Masculine," Kim Light Gallery, Los Angeles |
| | "Structural Damage: Charles LeDray, Joel Otterson, Gary Simmons," Blum Helman Warehouse, New York |
| 1991 | "Sweet Dreams," Barbara Toll Gallery, New York |
| | "Forbidden Games," Jack Tilton Gallery, New York |
| | "workworkworkworkwork," Astor Place at Cooper Square, New York |
| AWARDS |
| 2002 | International Art Critics Association |
| 1998 | Academy Award, American Academy of Arts and Letters |
| 1997-1998 | Gorham Phillips Stevens Visual Arts Fellowship, American Academy in Rome |
| 1993 | The Louis Comfort Tiffany Foundation |
| MUSEUM COLLECTIONS |
| | The Denver Art Museum, Denver, CO |
| | Des Moines Art Center, Des Moines, IA |
| | The Museum of Fine Arts, Boston, MA |
| | San Francisco Museum of Modern Art, San Francisco, CA |
| | The Whitney Museum of American Art, New York, NY |
| BIBLIOGRAPHY |
| 2009 | "On the Body: Selected Work from The Rachofsky Collection," exhibition brochure. Texas: University of North Texas Art Gallery, 2009, illustrated. |
| | Rececchi, Michele. “LEDRAY MENS SUITS.” Domus: Contemporary Architecture
Interiors Design Art, Issue 924, April 2009, pp. 129-132. |
| | “If you see nothing else… Five to watch.” The Times (UK), 3 April 2009. |
| 2008 | Heartney, Eleanor. "Art & Today." New York: Phaidon Press Limited: 2008, p. 61. |
| | Shwartz, Judith S. "Confrontational Ceramic: The Artist as Social Critic." London: A&C, 2008, p. 157. |
| | Holmes, Steven. "Festchrift: Selections from a Collection." Hartford: Leo, 2008, plate 12. |
| | Celant, Germano. The American Tornado: Art in Power 1949-2008. Milan: Skira, 2008, pp. 385-387. |
| 2007 | Yablonsky, Linda. "Charles LeDray, Sculpture," exhibition catalogue.New York: Sperone Westwater. |
| | Goodbody, Bridget. “Art in Review: Charles LeDray.” The New York Times. 9 March 2007, p. E 34. |
| | Hobbs, Robert. "Contemporary Cool and Collected: The Mint Museums." North Carolina:
The Mint Museums, 2007, p.78-79. |
| | Spence, Rebecca. “200 Top Collectors: Mickey Carton.” Artnews Summer 2007. |
| 2005 | Yablonsky, Linda. “Why Small is Big,” Artnews, December 2005, pp. 121-127. |
| Johnson, Ken, “Contemplating Childlike Wonder, Long Past Childhood,” The New York Times, 2 September 2005, p. E26. |
| Saraiva, Claudia, “Mini Me: Miniscule art demands attention and is increasingly getting
it,” 34, January 2005. |
| 2004 | “Charles LeDray,” Exhibition Catalogue, Galerie Schmela, Dusseldorf. |
| 2003 | Bing, Alison, “A Little, Fresh Perspective,” San Francisco Chronicle, 14 March 2003. |
| | Johnson, Ken, “Charles LeDray,” The New York Times, 21 February 2003. |
| “Charles LeDray,” The New Yorker, 3 March 2003, p. 18 |
| | Bing, Alison, “A Little, Fresh Perspective,” San Francisco Chronicle, 14 March 2003 |
| | Johnson, Ken, “Charles LeDray,” The New York Times, 21 February 2003 |
| | Schwendener, Martha, “Charles LeDray,” Time Out New York, 20-27 February 2002,
p. 52 |
| 2002 | Camper, Fred, “Charles LeDray,” Chicago Reader, 1 November 2002 |
| | Townsend, Chris, “Rapture: art’s seduction by fashion since 1970,” Exhibition catalogue, Barbican Art Gallery,London, 2002 |
| | Johnson, Ken, “LeDray’s Dream Objects,” Art in America, September 2002, pp. 120-123 |
| | Morrison, John F., “Daily Plan-It: Small Wonder,” Philadelphia Daily News, 26 June 2002 |
| | Sheets, Hilarie M., “Big Hands Working With Tiny Wares, The New York Times, 2 June 2002, pg. 31 |
| | Cotter, Holland, “Creations Small in Scale but Towering in Impact,” The New York Times, 31 May 2002 |
| | Hagen, Susan, “The Bone Collector,” Philadelphia City Paper, 30 May 2002, pg. 24 |
| | Fallon, Roberta, “Art: The Bone Collector,” Philadelphia Weekly, 22 May 2002, pg. 111 |
| | Sozanski, Edward J., “Sculptor’s ICA Show: Small Things Considered,” Philadelphia Inquirer, 19 May 2002, pg. H15 |
| | Weinstein, Jeff, “Preview: Charles LeDray,” Artforum, May 2002, pg. 70 |
| | Hill, Joe, “Charles LeDray: Institute of Contemporary Art (Philadelphia),”Contemporary, September 2002, pg. 78 |
| | "Mask or Mirror: A Play of Portraits,” exhibition catalogue Worcester Art Museum, Worcester, pp. 35,37 |
| | "Artner, Alan G. “A disturbing clothes encounter,” Chicago Tribune, 24 October 2002 |
| 2001 | Retorno al País de las Maravillas, El arte contemporáneo y la infancia, exhibition catalogue, (Barcelona: Centre Cultural de la Fundació "la Caixa", 2001) p. 71. |
| 2000 | Thea, Carolee, "Dispatch: 5th Lyon Biennale," Sculpture, December 2000, p. 82. |
| | Celant, Geramano, L'Espresso, November 2000. |
| 1999 | I'm Not Here, exhibition catalogue, Susquehanna Art Museum, Harrisburg, PA, 1999. |
| | Cotter, Holland, "'Matter of Time'," The New York Times, 10 September 1999, E36. |
| | Zucker-Saltz, Lizzie, "Manufacturing Validity: The Ceramic Work of Art in the Age of Conceptual Production," Art Papers (Atlanta), July/August, p. 28. |
| | Perchuk, Andrew, Matter of Time: Jim Hodges, Charles LeDray, Michelle Segre and Jonathan Seliger, exhibition catalogue, Dorsky Gallery, New York, 1999. |
| 1998 | Grundberg, Andy, "Present Tense: Nine Artists in the Nineties, SFMoMA," Artforum, p.87. |
| 1997 | Helfand, Glan, "Just a moment...Nine Artists Quietly Endure Millenium Tension," San Francisco Bay Examiner, 24 September 1997, p. 65-67. |
| | Cambon, Tricia, "S.F. M.o.M.A. stays simple in the Present Tense," I. Journal, 15 September. |
| | Baker, Kenneth, "Nine Artists' Lessons of Recalling the Past in Present Tense," San Francisco Chronicle. |
| | Bonetti, David, "Art at the Millenium," San Francisco Examiner, 11 September 1997, D1, D9. |
| | Smulders, Caroline, "Matière...risque: artistes du corps, couturiers de l'image," Art Press (Paris), p. 35-40. |
| | Zimmer, William, "Yes, there does exist a place for the sheerest of sentiment," The New York Times (CT edition), 27 July 1997. |
| | Glueck, Grace, "In Connecticut: Recent Nauman, Sentimental Memories and Black Culture," The New York Times, 18 July 1997, C27. |
| | Tully, Judd, "At the Edge...Seven Contemporary Collectors Talk," interview with Robert J. Schiffler, Art & Auction, May 1997, p. 132. |
| | Yaeger, Lynn, "Art...la Mode," The Village Voice, 15 April 1997, p. 79. |
| Smith, Roberta, "Serious Side of an Infatuation with Fashion," The New York Times, 14 March 1997, C28. |
| | Zimmer, Elizabeth, "It's Genius!: Artists Cheer the Best of the Year," contribution by LeDray, p. 24-26. |
| | Adams, Brooks and Liebmann, Lisa, "Nothing Left Undone," Young Americans 2, exhibition catalogue, Saatchi Gallery, London, 1997. |
| | Vanderlip, Dianne Perry, The View From Denver: Contemporary American Art fromthe Denver Art Museum, exhibition catalogue, Museum Moderner Kunst Stiftung Ludwig Wein, Denver Art Museum, 1997. |
| | Ault, Julie; Gary Garrels; Hayes Bill; Weber, John, Present Tense: Nine Artists in theNineties, exhibition catalogue, San Francisco Museum of Modern Art, 1997. |
| | Rugoff, Ralph and Stewart, Susan, At the Threshold of the Visible: Minuscule and Small-Scale Art, 1964-1996, exhibition catalogue, Independent Curators Inc., New York, 1997. |
| | Gilbert-Rolfe, Jeremy; Sealy-Lineberry, Heather; Zeitlin, Marilyn A., Art on the Edge of Fashion, exhibition catalogue, Arizona State University Art Museum, Tempe, AZ, 1997. |
| | Mileaf, Janine, "The House that Carrie Built: The Stettheimer Doll's House of the 1920's," guest edited by David A. Greene, Art & Design: Art & the Home (London), issue #51, November/December 1996, (reproduction) |
| | Cohen, David, "Charles LeDray/Jay Gorney Modern Art," Sculpture, September 1996, p. 59-60. |
| | Taplin, Robert, "LeDray's Microcraft," Art in America, September 1996, p. 84-87. |
| 1996 | Rugoff, Ralph, "Little Feats: Charles LeDray's Expansive Miniatures," L.A. Weekly, 21-27 June 1996, p. 41. |
| | Kandel, Susan, "Exquisite Miniatures of Sizable Seduction," Los Angeles Times, 22 June 1996, F14. |
| | Cohen, David, "Charles LeDray," Sculpture Magazine, Summer 1996. |
| | Weinstein, Jeff, "Tender Buttons," Artforum, Summer 1996. |
| | Levin, Kim, "Voice Choices: Art Short List: Charles LeDray," The Village Voice, 7 May 1996, p. 8. |
| | Pedersen, Victoria, "Gallery Go Round," Paper, May 1996, p. 128. |
| | Mahoney, Robert, "Charles LeDray," Time Out New York, 24 April 1996, p. 29. |
| | Schjeldahl, Peter, "No Kidding," The Village Voice, 23 April 1996, p. 91. |
| | Smith, Roberta, "Art in Review: Charles LeDray," The New York Times, 12 April 1996,C28. |
| | Newhall, Edith, "Art: Talent," New York Magazine, 8 April 1996, p. 82. |
| | Sischy, Ingrid, "Intertwined: Land of a Giant," Interview, April 1996, p. 60. |
| | Fujimori, Manami, "Cute," Bijutsu Techo (Tokyo), February 1996, pp. 14-15, 42-45. |
| 1995 | Cotter, Holland, "Feminist Art, 1962 until Tomorrow Morning and International," The New York Times, 17 March 1995. |
| | Lord, M.G., "Women's Work is (Sometimes) Done," The New York Times, 19 February 1995. |
| | Greene, David A., "Santa Barbara Fax," Art Issues, January - February 1995. |
| | Levin, Kim, "Voice Listings," The Village Voice, 11 October 1995. |
| | Configura 2, exhibition catalogue, The City of Erfurt, Germany, 1995. |
| | Fetishism: Power, Desire and Displacement, exhibition catalogue, The Brighton Museum and Art Gallery, Brighton, England; Nottingham Castle Museum, Nottingham, England; Sainsbury Centre for the Visual Arts, University of East Anglia, Norwich, England, 1995. |
| 1994 | Raven, Arlene; Wallace, Michelle; Yee, Lydia, Division of Labor: Women's Work, exhibition catalogue, The Bronx Museum of the Arts, Bronx, 1995. |
| | Cotter, Holland, "Art in Review: Charles LeDray," The New York Times, 27 May 1994. |
| | Brunson, Jamie, review, Art Issues, March - April 1994, p. 35. |
| | Bonetti, David, review, San Francisco Examiner, 20 January 1994. |
| 1993 | Hagen, Charles, "In Connecticut, Clothes, Photos and a Yale on Yale," The New York Times, 23 July 1993. |
| | Bonetti, David, San Francisco Examiner, 24 May 1993. |
| | Harris, William, "Art and AIDS, Urgent Images," Artnews, May 1993. |
| | Saltz, Jerry, review, Art in America, April 1993. |
| | Seward, Keith, review, Artforum, April 1993. |
| | Smith, Roberta, "Charles LeDray," The New York Times, 19 February 1993. |
| | Levin, Kim, "Sewing and Cooking," The Village Voice, 9 February 1993. |
| | Fall from Fashion, exhibition catalogue, The Aldrich Museum of Contemporary Art, Ridgefield, CT, 1993. |
| 1992 | Saltz, Jerry, "The 10 Commandments of Taste," Art & Auction, November 1992. |
| | Saltz, Jerry, "It Don't Come Easy," Arts Magazine, April 1992. |
| | Levin, Kim, "Voice Choices," The Village Voice, 28 January 1992. |
| 1991 | "Galleries," The New Yorker, 24 June 1991. |
| | Myers, Terry, review, Flash Art, May 1991. |
| | Perl, Jed, "Group Dynamics," Art & Antiques, April 1991. |
| | Cyphers, Peggy, review, Arts Magazine, March 1991. |
| | Aletti, Vince, "Voice Choices," The Village Voice, 28 January 1991. |
| | Wallach, Amei, "The Secrets of Childhood," New York Newsday, 13 January 1991. |
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