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Jonathan Lasker
| Born | 1948 in Jersey City, NJ |
| EDUCATION |
| 1975-77 | School of Visual Arts, New York |
| 1977 | California Institute of the Arts, Valencia, CA |
| AWARDS |
| 1987 | National Endowment for the Arts Fellowship Grant |
| 1989 | New York Foundation for the Arts Fellowship Grant |
| 1989 | National Endowment for the Arts Fellowship Grant |
| ONE PERSON EXHIBITIONS |
| 1981 | Landmark Gallery, New York |
| | Gunnar Kaldewey, Düsseldorf, Germany |
| 1984 | Annette Gmeiner, Kirchzarten, Germany |
| | Tibor de Nagy, New York |
| 1986 | Michael Werner, Cologne, Germany |
| | Tibor de Nagy, New York |
| | Massimo Audiello, New York |
| 1987 | Michael Werner, Cologne, Germany |
| | Anders Tornberg, Lund, Sweden |
| 1988 | Massimo Audiello, New York |
| | Gian Enzo Sperone, Rome, Italy |
| 1989 | Massimo Audiello, New York |
| 1990 | Michael Werner, Cologne, Germany |
| | Anders Tornberg, Lund, Sweden |
| 1991 | Gian Enzo Sperone, Rome, Italy |
| | Schmidt-Markow, St. Louis, MO |
| | Annette Gmeiner, Stuttgart, Germany |
| | Lars Bohman, Stockholm, Sweden |
| | Sperone Westwater, New York |
| 1992 | Institute of Contemporary Art, University of Pensylvania, Philadelphia, PA |
| | Thaddaeus Ropac, Paris, France |
| | Baumgartner Galleries, Inc., Washington, D.C. |
| | Eugene Binder, Dallas, TX |
| 1993 | Witte de With, Center for Contemporary Art, Rotterdam, Holland |
| | Rhona Hoffman, Chicago, IL |
| | Bernd Klüser, Munich, Germany |
| | Sperone Westwater, New York |
| 1994 | Galerie Buchmann, Basel, Switzerland |
| | Lars Bohman, Stockholm, Sweden |
| 1994 | Bravin Post Lee, New York |
| 1995 | Soledad Lorenzo, Madrid, Spain |
| | L.A. Louver, Venice, CA |
| 1996 | Sperone Westwater, New York |
| 1997 | Velge et Noirhomme, Brussels, Belgium |
| | Thaddaeus Ropac, Paris, France |
| | Galerie Kienzle und Gmeiner, Berlin, Germany |
| | Galleria Milleventi, Turin, Italy |
| | Schmidt Contemporary Art, Saint Louis, MO |
| 1997-98 | Kunsthalle Bielefeld, Germany; Stedelijk Museum, Amsterdam, Holland; Kunstverein St. Gallen im Kunstmuseum, St. Gallen, Switzerland, "Jonathan Lasker: Paintings 1977-1997" |
| 1998 | Timothy Taylor Gallery, London, England |
| | ART C. association art contemporain, Ville d'Issoire, France |
| | Soledad Lorenzo, Madrid, Spain |
| 1999 | Sperone Westwater, New York |
| 1999-2000 | The Forum for Contemporary Art, St. Louis, MO; The Power Plant, Toronto, Canada; Rose Art Museum, Brandeis University, MA; Birmingham Museum of Art, AL, "Jonathan Lasker: Selective Identity, Paintings from the 1990s" |
| 2000 | Galerie Thaddaeus Ropac, Paris, "Jonathan Lasker: Oeuvres Récentes" |
| 2001 | Galleri Lars Bohman, Stockholm, Sweden |
| 2002 | The Art Show, Booth A5, Sperone Westwater, New York |
| | Galerie Thomas Schulte, “Four Large Scale Works,” Berlin. |
| | Galleri Wang, Oslo, Norway. |
| 2003 | Museo Nacional Centro de Arte Reina Sofía, “Jonathan Lasker”, Madrid |
| | Galerie Thomas Schulte, Berlin. |
| | Kunstsammlung Nordhein-Westfalen, Düsseldorf. |
| SELECTED GROUP EXHIBITIONS |
| 1981 | Landmark Gallery, New York |
| | Tony Shafrazi, New York |
| | Novo Gallery, New York |
| | Patrick Verelst, Antwerp, Belgium |
| 1982 | Landmark Gallery, New York, "Tenth Anniversary Exhibition" |
| 1983 | Tibor de Nagy, New York, "On An Intimate Dimension" |
| | Hamilton Gallery, New York, "New Biomorphism and Automatism" |
| 1984 | Tibor de Nagy, New York, "Fact and Fiction" |
| | Gabrielle Bryers, New York, "Jonathan Lasker/Renee Lynch" |
| | Proctor Art Center, Bard College, Annandale-on-Hudson, New York |
| | Hadler Rodriguez Gallery, New York |
| 1985 | 55 Mercer Gallery, New York, "2. Smart Art, Too," Joseph Masheck, Curator |
| | Cash/Newhouse Gallery, New York, "Final Love," Collins & Milazzo, Curators |
| | Carpenter Center for the Visual Arts, Harvard University, Cambridge, MA, "Smart Art: New Work from NY," Joseph Masheck, Curator |
| | Postmasters Gallery, New York, "Paravision," Collins & Milazzo, Curators |
| | Wolff Gallery, New York, "Abstract Painting" |
| | Tibor de Nagy, New York, "Summer Exhibition" |
| | Museum Ludwig, Cologne, Germany, "Kölner Herbstsalon" |
| | Sherry French Gallery, New York, "Abstract/Issues," Steven Madoff, Curator |
| | Wacoal Art Center, Tokyo, Japan, "Vernacular Abstraction" |
| | Tibor de Nagy, New York, "Cult and Decorum," Collins & Milazzo, Curators |
| | Jay Gorney Modern Art, New York |
| 1986 | Annette Gmeiner, Kirchzarten, Germany, "Drawings" |
| | Rose Art Museum, Brandeis University, Waltham, MA |
| | Carnegie Mellon University, Pittsburgh, PA; Klein Gallery, Chicago, IL, "Abstraction/Abstraction," Elaine King, Curator |
| | Margo Leavin, Los Angeles, CA, "Paravision II," Collins & Milazzo, Curators |
| | Tony Shafrazi, New York, "What It Is," Wilfried Dickhoff, Curator |
| | American Fine Arts Co., New York, "Modern Sleep," Collins & Milazzo, Curators |
| | Tibor de Nagy, New York, "The Kaldewey Press" |
| | Hirschl & Adler Modern, New York, "The Intuitive Line" |
| 1987 | Rathbone Gallery, Russell Sage College, Albany, NY, "The Shape of Abstraction" |
| | Laurie Rubin, New York, "Interstices," Jonathan Seliger, Curator |
| | The Corcoran Gallery of Art, Washington, D.C., "Fortieth Biennial Exhibition of Painting," Ned Rifkin, Curator |
| | Postmasters Gallery, New York |
| | Aldrich Museum of Contemporary Art, Ridgefield, CT, "Post-Abstract Abstraction," Eugene Schwartz, Curator |
| | Renaissance Society, University of Chicago, Chicago, IL; Newport Harbor Art Museum, Newport Beach, CA, "Cal-Arts: Skeptical Belief(s)" |
| | Massimo Audiello, New York |
| | Annette Gmeiner, Stuttgart, Germany, "Meine Maler" |
| | Michael Werner, Cologne, Germany |
| | Mayor Rowan Gallery, London, England, "New York, New Art" |
| 1988 | Saatchi Collection, London, England, "N.Y. Art Now" |
| | Lang & O'Hara, New York |
| | Rooseum, Malmo, Sweden, "Art at the End of the Social," Collins & Milazzo, Curators |
| | University of North Texas, Denton, TX; J. B. Speed Museum, Louisville, KY; Alberta College of Art, Edmonton, Canada; Contemporary Arts Center, Cincinnati, OH; Richard F. Brush Gallery, St. Lawrence University, Canton, NY; Santa Fe Community College, Gainesville, FL, "Hybrid Neutral," Collins & Milazzo, Curators |
| | The Metropolitan Museum of Art, Thomas J. Watson Library, New York, "The Kaldewey Press" |
| | Kunstverein Hochrhein e.v., Villa Berberich, Bad Säckingen, Germany, "Schwarzwaldbild" |
| | White Columns, New York, "Benefit Exhibition" |
| 1989 | Shea & Beker, New York, "Diagrams & Surrogates," Saul Ostrow, Curator |
| | Stedelijk Museum, Amsterdam, Holland, "Horn of Plenty," Gosse Oosterhof, Curator |
| | Emily Lowe Gallery, Hofstra University, Hempstead, NY, "The Pellizzi Collection" |
| | Thaddaeus Ropac Gallery, Salzburg, Austria, "The Silent Baroque," Christian Leigh, Curator |
| | Galleria Regionale di Palazzo Bellomo, Siracusa, Italy, "Specchi Ustori," Demetrio Paparoni and Michelangelo Castello, Curators |
| | Daniel Newburg, New York, "Drawings" |
| 1990 | Marc Richards Gallery, Los Angeles, CA, "Spellbound," Christian Leigh, Curator |
| | Scott Hanson Gallery, New York, "Token Gestures," Collins & Milazzo, Curators |
| | Anders Tornberg, Lund, Sweden |
| | Real Art Ways, Hartford, CT, "Mythic Moderns," Jude Schwendenwien, Curator |
| | Nicole Klagsbrun, New York, "Benefit Exhibition" |
| | Joensuu Art Museum, Joensuu, Finland, "Maailmat, Worlds '90 International Art Show" |
| | Daniel Weinberg, Los Angeles, CA, "Benefit Exhibition" |
| | Tony Shafrazi, New York, "The Last Decade: American Artists of the 80's," Collins & Milazzo, Curators |
| | Pace Gallery, New York, "Painting Alone," Rainer Crone and David Moos, Curators |
| | Philippe Briet, New York, "Clyfford Still: A Dialogue," Alan Jones, Curator |
| | New York Public Library, Gottesman Exhibition Hall, New York, "On Paper: The History of an Art" |
| | Tibor de Nagy, New York, "Fortieth Anniversary Exhibition" |
| 1991 | Wolff Gallery, New York and Feigen, Inc., Chicago, IL, "Strategies for the Next Painting," Saul Ostrow, Curator |
| | Grossman Gallery, School of the Boston Museum of Fine Arts, Boston, MA, "Between Intuition and Reason, Saint Clair Cemin/Jonathan Lasker" |
| | Usdan Gallery, Bennington College, Bennington, VT, "Hybrid Abstract," Joshua Decter, Curator1 |
| | Galleria d'Arte Moderna, Bologna, Italy, "Anni Novanta," Renato Barilli and Pier Giovanni Castagnoli, Curators |
| | Perry Rubenstein, New York, "The Thing," Vik Muniz, Curator |
| | Sperone Westwater, New York |
| | Hirshhorn Museum and Sculpture Garden, Washington, D.C., "New Acquisitions" |
| | Weatherspoon Art Gallery, Greensboro, NC, "Art on Paper" |
| | John Good, New York, "La Metafisica della Luce," Demetrio Paparoni, Curator |
| | Sidney Janis, New York, "Conceptual Abstraction" |
| | Matthew Marks, New York, "Benefit Exhibition" |
| 1992 | Max Protetch, New York, "Stubborn Painting: Now & Then," Ruth Kaufman and Mike Metz, Curators |
| | Sandra Gering, New York, "Shades of Difference," Shirley Kaneda, Curator |
| | Galerie nächst St. Stephan, Vienna, Austria, "Abstract Painting Between Analysis and Synthesis" |
| | Dayton Art Institute & Museum of Contemporary Art, Wright State University, Dayton, OH, "The City of Influence: Ross Bleckner, Peter Halley, Jonathan Lasker," Barry Rosenberg, Curator |
| | P.S.1 Museum, Long Island City, New York, "Slow Art: Painting in New York Now," Alana Heiss and Warren Niesluchowski, Curators |
| | Museo Regione Autonoma Della Valle d'Aosta, Aosta, Italy, "Theoretically Yours," Collins & Milazzo, Curators |
| | Schmidt Contemporary Art, Saint Louis, MO, "Abstract Painting 1992" |
| | Documenta Halle, Kassel, Germany, "Documenta IX" |
| | Rolf Ricke, Cologne, Germany, "Kinder! Macht Neues!" |
| | Sperone Westwater, New York |
| | Morat Institut Für Kunst Und Kunstwissenschaft, Freiburg, Germany, "Kunstprodukt Heimat," Klaus Merkel, Curator |
| | Thaddaeus Ropac, Paris, France |
| | Annina Nosei, New York, "Who's Afraid of Duchamp, Minimalism, and Passport Photography?," Collins & Milazzo, Curators |
| | Galleria Galliani, Genoa, Italy |
| 1993 | Ruth Bloom, Santa Monica, CA, "The Brush Stroke" |
| | Hirshhorn Museum and Sculpture Garden, Washington, D.C., "The Permanent Collection Revisited" |
| | Thaddaeus Ropac, Paris, France, "New York on Paper" |
| | Venice Biennale, Venice, Italy, and Guggenheim Museum Soho, New York, "Drawing the Line Against AIDS" |
| | Pamela Auchincloss, New York, "Color" |
| | Sammlung Götz, Munich, Germany, "New York Painters" |
| | Baumgartner Gallery, Washington, D.C., "New Moderns," Joseph Masheck, Curator |
| | Art Museum of the Americas, Washington, D.C., "Off the Mall: Inside Washington's Foremost Art Galleries" |
| | Raymond Bollag, Zurich, Switzerland, "Zeichnungen Setzen Zeichen, Kunstler Der Documenta IX" |
| | Galerie nächst St. Stephan, Vienna, Austria |
| | Grolier Club, New York, "The American Livre de Peintre" |
| | Sperone Westwater, New York, "The Spirit of Drawing" |
| | Galleria D'Arte Moderna, San Marino, San Marino Republic, "Italy-America: Abstraction Redefined," Demetrio Paparoni, Curator |
| | Paolo Goyannes, Paris; Tennisport, Long Island City, NY, "Jours tranquilles à Clichy," Alain Kirili, Curator |
| | Sperone Westwater, New York, "Summer Exhibition" |
| 1994 | Bardamu Gallery, New York, "Possible Things," Vik Muniz, Curator |
| | Todd Gallery, London; John Hansard Gallery, University of Southampton, England, "Choice, Chance and Irony" |
| | Hayward Gallery, London, England, "Unbound: Possibilities in Painting," Greg Hilty and Adrian Searle, Curators |
| | Galerie De L'École Des Beaux-Arts, Lorient, France, "Le Temps D'Un Dessin," Phillippe Briet, Curator |
| | Thread Waxing Space, New York, "Written /Spoken/Drawn in Lacanian Ink" |
| | Bravin Post Lee, New York |
| | Rhona Hoffman, Chicago, IL, "Painting" |
| | Charles Cowles, New York, "About Color" |
| | Galeri F15 Alby, Moss, Norway, "8 Rooms for Paiting," Gertrud Sandquist, curator |
| | Sperone Westwater, New York, "Summer Exhibition" |
| | U.C.L.A. at the Armand Hammer Museum of Art, Los Angeles, CA, "The Assertive Image: Artists of the Eighties from the Eli Broad Family Foundation" |
| | Robert Miller, New York, "Abstract Works on Paper" |
| | Schmidt Contemporary Art, Saint Louis, MO, "On Paper" |
| | Center for the Fine Arts, Miami, FL, "Abstraction: A Tradition of Collecting" |
| | Galleries Caterina Fossati, Eva Menzio, Giovanni Rimoldi, Turin, Italy, "American Paining Now" |
| | Galleria Carini, Prato, Italy, "Tutti Questi Mondi" |
| 1995 | Sperone Westwater, New York, "Emblems and Contours" |
| | Museo De Arte y Diseño Contemporaneo, San Jose, Costa Rica, "Mesotica (the America non-Representativa)" |
| | Virginia Museum of Fine Arts, Richmond, VA, "Repicturing Abstraction" |
| | Sarah Campbell Blaffer Gallery, University of Houston, Houston, TX; Illingworth Kerr Gallery, Alberta College of Art, Edmonton, Canada; Sheldon Memorial Art Gallery, University of Nebraska, Lincoln, NE; U.C.L.A. at the Armand Hammer Museum of Art, Los Angeles, CA; Crocker Art Museum, Sacramento, CA; Madison Art Center, Madison, WI; Lowe Art Museum, Coral Gables, FL; Krannert Art Museum, University of Illinois, Champaign, IL; Frederick R. Weisman Museum, University of Minnesota, Minneapolis, MN, "Critiques of Pure Abstraction," Mark Rosenthal, Curator |
| | Museum of Contemporary Art, Helsinki, Finland, "ARS 95 Helsinki" |
| | Casino Luxembourg, Luxembourg, "Swinging Sixties, Sparkling Nineties" |
| | Barbara Farber, Amsterdam, Holland, "Architecture of the Mind," David Moos, Curator |
| | Kunstverein Rheinland-Westpfalen, Dusseldorf, Germany; Württembergischer Kunstverein, Stuttgart, Germany, "Das Abenteuer Der Malerei," Raimund Stecker and Martin Hentschel, Curators |
| | Museo Alejandro Otero, Caracas, Venezuela, "Transatlantica: The America Europa Non-Representativa," Jacob Karpio and Ruth Auerbach, Curators |
| | Museum Folkwang, Essen, Germany, "Positionen: Beobachtungen Zum Stand Der Malerei In Den 90er Jahren" |
| | Sperone Westwater, New York, "Summer Exhibition" |
| | Contemporary Art Museum, University of South Florida, Tampa, FL; Wolfson Galleries, Miami-Dade Community College, Miami, FL; Robert Hull Fleming Museum, University of Vermont, Burlington, VT, "Refab-Painting Abstracted, Fabricated and Revised," Shirley Kaneda and Rochelle Feinstein, Curators |
| | Charles Cowles, New York, "Under Glass" |
| | Deutsches Haus, Columbia University, New York, "More Hysteria Please," Josefina Ayerza, Curator |
| | Manfred Baumgartner, Washington, D.C. |
| | Centre National D'Art Contemporain, Grenoble, France, "Morceaux Choisis Du F.N.A.C." |
| | Kunstverein St. Gallen im Kunstmuseum, St. Gallen, Switzerland, "Color and Paint" |
| | L.A. Louver, Los Angeles, CA |
| 1996 | Friederich Petzel, New York"Screen," Joshua Decter, Curator |
| | Thaddaeus Ropac, Paris, and Salzburg, Austria, "Pratiques Abstraites" |
| | Monika Sprüth, Cologne, Germany, "Malerei II" |
| | Placio de Velazquez, Museo Reina Sofia, Madrid, Spain; Kunsthalle Bielefeld, Bielefeld, Germany; Museu d'Art Contemporani, Barcelona, Spain, "Nuevas Abstracciones," Enrique 66 Juncosa, Curator |
| | Rolf Ricke, Cologne, Germany, "Form Als Ziel Mündet Immer In Formalismus" |
| | Sperone Westwater, New York, "Summer Exhibition" |
| | Gotland Konstmuseum, Gotland, Sweden, "The New York Scene" |
| | Robert McClain, Houston, TX, "Investigations: American Abstraction" |
| | Kunsthalle Zurich, Zurich, Switzerland, "Playpen & Corpus Delirium" |
| | Forum for Contemporary Art, St. Louis, MO, "Reconditioned Abstraction," Martin Ball, Curator |
| | Bravin Post Lee, New York |
| | MacDonald Stewart Art Center, University of Ontario, Guelph, Canada, "New York Abstraction," David Moos, Curator |
| | Baumgartner Galleries, Washington, D.C., "12 Years After: Jonathan Lasker, Thomas Nozkowski, Gary Stephan" |
| | LaGuardia Hall, Brooklyn College, Brooklyn, NY, "The New Narrative Abstraction," Maria Rand, Curator |
| 1997 | Musée d'Art Moderne, St. Étienne, France, "Abstraction/Abstractions-Géometries Provisoires," Eric De Chassey and Camille Morineau, Curators |
| | Baumgartner Galleries, Washington, D.C., "New York On Paper" |
| | Bernd Kluser, Munich, Germany |
| | Newhouse Center for Contemporary Art, Snug Harbor Cultural Center, Staten Island, NY, "After the Fall: Aspects of Abstract Painting Since 1970," Lilly Wei, Curator |
| | Bertha & Karl Leubsdorf Art Gallery, Hunter College, New York, "Turning the Corner: Abstraction at the End of the Twentieth Century" |
| | Sperone Westwater, New York, "Summer Exhibition" |
| | Peter Stuyvesant Foundation, Amsterdam, Holland, "Groi in de Collectie" |
| | Johnson Community College Gallery of Art, Overland Park, KS, "Essential Gestures " |
| | Berufsvereinigung Der Bilden Künstler Voralsberg, Künstlerhaus Palais Thurn und Taxis, Bregenz, Austria, "Licht Raum . . . Schwarz" |
| 1998 | Mark Müller, Zurich, Switzerland, "Sensation der Farbe" |
| | Museum of American Art of the Pennsylvania Academy of the Fine Arts, Philadelphia, PA, "Pop/Abstraction," Sid Sachs, Curator |
| | White Columns, New York, "Raise the Roof: Benefit Exhibition" |
| | Gallerie Evelyne Canus, La Colle-Sur-Loup, France, "Painting Objectives," Shirley Kaneda, Curator |
| | Michael C. Carlos Museum, Emory University, Atlanta, GA, "Connections and Contradictions: Modern and Contemporary Art from Atlanta Collections," Genevieve Arnold, Curator |
| 1999 | Villa du Parc, Annemasse, "Peinture, démarches actuelles," |
| | Schmidt Contemporary Art, St. Louis, "Mixed Bag: Summer Group Show" |
| | Johnson County College, Gallery of Art, Overland Park, KS, "In Site: Constructing the JCC Collection" |
| | Galerie Daniel Templon, Paris, "Abstraction" |
| 2000 | Jan Weiner Gallery, Kansas City, "Universal Abstraction 2000" |
| | Sala de Exposiciones del Palacio Episcopal, Málaga, Spain, "Paisajes de la colección en Málaga. Colección de Arte Contemporaneo, Fundacion la Caixa" |
| | Museo d'Arte della Citta di Ravenna, Ravenna "Arte Americana; Ultimo Decennio" |
| | Eugene Binder, New York, "small abstract paintings and sculpture" |
| | Michael Hue-Williams Fine Art, London, "Painting, I Love" |
| | Susquehanna Art Museum, Harrisburg, Pennsylvania, "Post Pop" |
| | Marcel Sitcoske Gallery, San Francisco, "Lasker, Marcaccio, Usle" |
| | Timothy Taylor Gallery, London |
| | Galerie Thaddaeus Ropac, Paris |
| 2001 | Kevin Bruk Gallery, Miami, "New paintings" |
| | Galerie Rudolfinum, Prague, The Centre of Contemporary Art, "American Art from the Goetz Collection, Munich" |
| | Yale University Art Gallery, New Haven, CT, "Between Language and Form" |
| | Nusser & Baumgart Contemporary, Munich, “Choose Your Partner” |
| | Colby College Museum of Art, Maine, “Drawn From a Family” |
| | Galerie Mark Müller, Zurich |
| 2003 | “Inaugural Groupshow,” Timothy Taylor Gallery, London, May 21-June 7. |
| 2004 | "Co-Conspirators: Artist and Collector, The Collection of James Cottrell and Joseph Lovett," Orlando Museum of Art, July 24- October 31, 2004. |
| BIBLIOGRAPHY |
| 1981 | Welch, Douglas, "Jonathan Lasker," Arts Magazine, January, illus: "Sceptre," color, p. 2 |
| | Smith, Roberta, "Group Exhibition at Tony Shafrazi," Village Voice, 21 October |
| 1982 | Apfelschnit, Carl, "Bwanna's Nightmare," Bomb, no. 4, illus: "Bwanna's Nightmare," b/w, p. 48 |
| 1984 | Ratcliff, Carter, Fact & Fiction, catalogue essay for exhibition at Tibor de Nagy Gallery, illus: "Nature Study," color |
| | Howe, Katherine, "Review of New Biomorphism & Automatism," Images and Issues, March-April, pp. 18-19 |
| | Müller, Hans-Joachim, "Jonathan Lasker at Annette Gmeiner," Badische Zeitung, 27 June, illus: "Nature Study," b/w |
| | Ruhe, Barnaby, "Jonathan Lasker at Tibor de Nagy," Art World, November, p. 10 |
| | Collins & Milazzo, Forced Sentiment, catalogue essay for exhibition at Artists Space, p. 5 |
| 1985 | Carrier, David, "Painting into Depth: Jonathan Lasker's Recent Art," Arts Magazine, January, illus: "Strawberry Fields," "Nature Study," color, "Ascension," b/w, pp. 142-144 |
| | Cameron, Dan, "The Groundhog Report," Arts Magazine, February, p. 96 |
| | Grimes, Nancy, "Review of 2 Smart Art Too," Artnews, April, pp. 146, 148 |
| | Westfall, Stephen, "Jonathan Lasker at Tibor de Nagy," Art in America, May, illus: "Three Card Monte," color, p. 173 |
| | Henry, Gerrit, " Jonathan Lasker at Tibor de Nagy," Artnews, May, illus: "Deep Purple," b/w, pp. 119-120 |
| | Masheck, Joseph, "Observations on Harking Back (and Forth)," New Observations, no. 28, p. 11 |
| | Potter, Everett, "Review of Final Love," Arts Magazine, Summer, p. 37 |
| | Collins & Milazzo, "New York: Final Love," Creativa, no. 4, illus: "Idiot Savant," b/w, p. 11 |
| | Gohr, Siegfried, Kölner Herbstsalon, catalogue essay for exhibition at Museum Ludwig, illus: "The Sublimation of Love," color, "Heart in a Whirl," "Heath," "Nature Study," "Idiot Savant," "The Metaphysics of Matter," b/w |
| | Beigler, Beth, "Deconstructing Criticism: C & M," East Village Eye, July, pp. 36-37 |
| | Haase, Amine, "Herbstsalon: Umgang Mit Der Kunstgeschichte," Kölner Stadt Anzeiger, 9 August, p. 27 |
| | Schneider, Bruno, "Review of Herbstsalon," Kölner Rundschau, 9 August, p. 11 |
| | Bungartz, Christoph, "Review of Herbstsalon," Rheinpfällische Zeitung, 15 August |
| | Madoff, Steven, Abstract/Issues, catalogue essay for exhibition at Sherry French Gallery, unpaginated |
| | Collins & Milazzo, "Art or Media: Neutral Trends," East Village Eye, October, p. 38 |
| | Smith, Roberta, Vernacular Abstraction, catalogue essay for exhibition at Wacoal Art Center, illus: "Asterix," color |
| 1986 | Jones, Alan, "Cult of Decorum," New York Talk, January, illus: "Large Weather," b/w, p. 67 |
| | Cameron, Dan, Jonathan Lasker, catalogue essay for exhibition at Michael Werner Gallery, illus: "Confessions of a Groundhog Fancier," "Live it . . . Love It," "Double The Fun," "Beat The System," Heavy Mental," color |
| | Dank, Ralf, "Jonathan Lasker at Michael Werner: Freie Formen," Kölner Stadt Anzeiger, 4 February, illus: "Rhetorical Remembrance," b/w |
| | Collins & Milazzo, "New York Scene: Tropical Codes," Kunstforum, March, April, May, illus: "The Metaphysics of Matter," color, pp. 324-326 |
| | King, Elaine, and David Carrier, Abstraction/Abstraction, catalogue essays for exhibition at Carnegie Mellon University, illus.: "The Metaphysics of Matter," color |
| | Bauermeister, Volker, "Beweggrund, Papiergrund," Badische Zeitung, 15/16 February |
| | Dank, Ralf, "Jonathan Lasker: 5 Bilder," Kunstforum, June, July, August, illus: "Heavy Mental," "To Win At Art," color, pp. 292-293 |
| | Jones, Alan, "Paravision," (Collins & Milazzo interview), Galleries, August, September, illus: "Main Event," color, pp. 40-43 |
| | Westfall, Stephen, "Paravision: The Synthetic Sublime," L.A. Weekly, 15-21 August, pp. 20-22 |
| | Yau, John, "Jonathan Lasker at Tibor De Nagy Gallery," Artforum, September, illus: "Theories About Exotica," b/w, p. 134 |
| | Schwabsky, Barry, "Abstraction and Its Double," Arts Magazine, September, illus: "The Metaphysics of Matter," color, pp. 68-71 |
| | Saltz, Jerry, Beyond Boundaries: New York's New Art, Alfred Van Der Marck Editions, hardbound, 128 pp., with essays by Roberta Smith and Peter Halley, illus: "Theories About Exotica," "Synthetic Flamboyance," "The Conscious Subconsious," color |
| | Dickhoff, Wilfried, editor, What It Is, catalogue for exhibition at Tony Shafrazi Gallery, illus: "To Win At Art," b/w |
| | Masheck, Joseph, "Abstract Ironies," The New Leader, 20 October, pp. 21-22 |
| 1987 | Seliger, Jonathan, "Interstices," Arts Magazine, March, illus: "An Argot For The Supreme Being," color, pp. 66 - 69 |
| | Ottmann, Klaus, "Modern Sleep," Flash Art, April, pp. 92-93 |
| | Richard, Paul, "Painting in Past Tints, At the Corcoran's Biennial, Contemporary New York Artists," The Washington Post, 11 April, pp. C1, C3 |
| | Rifkin, Ned, and Jane Livingston, The 40th Corcoran Biennial, catalogue essays for exhibition at the Corcoran Gallery of Art, illus: "Theories About Exotica," color |
| | Masheck, Joseph, "Painting and Its Treble," Jonathan Lasker, catalogue essay for exhibition at Michael Werner Gallery, illus: "To Regain Virginity," "Perfect Penmanship," "To Caress The Naked Eye," "Look Alike," "Fashionable Obscurity," "Rogue Modernity," "Return The Favor," "Non Sequitur Psyche," color |
| | Collins & Milazzo, "Hybrid Neutrals," J.A.A. Journal, no. 7, pp. 123-125 |
| | Schwartz, Eugene, Post-Abstract Abstraction, catalogue essay for exhibition at Aldrich Museum, illus: "An Argot for the Supreme Being," "Logo," b/w |
| | Dank, Ralf, "Jonathan Lasker at Michael Werner: Reizende Puzzles," Kölner Stadt Anzeiger, 5 May |
| | Brenson, Michael, "Art View, The Corcoran Biennial: True Believers Who Keep the Flame of Painting," The New York Times, 7 June |
| | McCoy, Pat, "Interstices," Artscribe, Summer, illus: "An Argot For The Supreme Being," "The Sublimation of Love," b/w, pp. 82-83 |
| | Carrier, David, "Washington: Corcoran Gallery Fortieth Biennial," Burlington Magazine, July, pp. 483-484 |
| | Zimmer, William, "Post-Abstract Abstraction In Ridgefield," The New York Times, 5 July |
| | Collings, Matthew, "Posthumous Meaning: Tricia Collins and Richard Milazzo Interviewed," Artscribe, September, illus: "Main Event," color, pp. 44-49 |
| | Koether, Jutta, "Jonathan Lasker at Michael Werner, Cologne," Artscribe, September, illus: "To Regain Virginity," color, pp. 88-89 |
| | Madoff, Steven, "Washington, D.C.: An Inevitable Gathering," Artnews, September, p. 153 |
| | Loughery, John, "Affirming Abstraction: The Corcoran Biennial," Arts Magazine, September, pp. 76, 78 |
| | Cameron, Dan, N.Y. Art Now: The Saatchi Collection, Giancarlo Politi Editore, paperbound, 250 pp., illus: "Heart In A Whirl," "Idiot Savant," "The Oddness Factor," "Live It . . . Love It," "Double The Fun," "Beat The System," "Blobscape," color |
| | Hagen, Charles, Artforum, October, pp. 135-136 |
| | Collins & Milazzo, "Radical Consumption and The New Poverty," New Observations, no. 51, October, illus: "Hawaiian Punch," b/w, p. 10 |
| | Hesler, Gerhard, "Um Den Brei Herum (Junge Maler in der Galerie Gmeiner)," Stuttgarter Zeitung, 20 July |
| | Martinsson, Sten, "Jonathan Lasker at Anders Tornberg," Malmo Kvallsposten, 19 November, illus: "Tribal Publicity," b/w |
| | Zeylon, Hakan, "Jonathan Lasker at Anders Tornberg," Skanska Dagbladet, 18 November, illus: "The Aberrant Future," b/w |
| | Wachtmeister, Marika, "Jonathan Lasker at Anders Tornberg," Sydsvenska Dagbladet, 12 November, illus: "To Regain Virginity," b/w |
| | Mueller, Cookie, "Art and About," Details, February, pp. 69-70 |
| | Barbiero, Daniel, "The Fortieth Corcoran Biennial," New Art Examiner, Summer, pp. 30-31 |
| | Unauthored, Jonathan Lasker: Paintings 1986-1987, catalogue for exhibition at Anders Tornberg, illus.: "Tribal Publicity," "Kinds of Love," "The Aberrant Future," "Ego Worship," "Eye Sex," "To Manufacture Transcendence," color |
| 1988 | Rantanen, Mari, "Interview with Jonathan Lasker," Helsingin Sanomat, 21 February, illus: "Popular Psyche," color, p. A16 |
| | Zinsser, John, "Plotting Self-Doubt: The Paintings of Jonathan Lasker and Tom Nozkowski," Arts Magazine, May, illus: "Rogue Modernity," color, pp. 82-83 |
| | Huebler, Douglas, John Miller, Stephen Prina, et al., CalArts: Skeptical Belief(s), catalogue essays for exhibition at Renaissance Society and Newport Harbor Art Museum, illus: "The Age of Plastic," b/w, p. 4 |
| | Mahoney, Robert, "Jonathan Lasker at Massimo Audiello," Arts Magazine, Summer, p. 108 |
| | Hatton, Brian, "N.Y. Art Now 2," Flash Art, Summer, p. 142 |
| | Collins & Milazzo, Gary Indiana, Hybrid Neutral, Modes of Abstraction and The Social, catalogue essays for travelling exhibition, illus: "Compound Beliefs," b/w, p. 45 |
| | Rantanen, Mari, "Interview with Jonathan Lasker," Taide Magazine, August, illus: "The Conscious Subconscious," "Contemporary Tribalism," "Primordial Teenage," "Double Play," color, pp. 38-42 |
| | Brüderlin, Markus, Schwarzwaldbild, catalogue essay for exhibition at Kunstverein Hochrhein, illus: "A Week's Work in the Schwarzwald," color |
| | Zinsser, John, "Jonathan Lasker at Massimo Audiello," Art in America, November, illus: "The Realm of the Quaint," color, pp. 179-180 |
| | Wachtmeister, Marika, "Fran Elverk Till Konst Museum, Rooseum," Femina Magasin, December, illus: "Today's Universe," color, pp. 120-124 |
| | Morera, Daniela, "N.Y. Art," L'Uomo Vogue, December, pp. 141-144 |
| 1989 | Oosterhof, Gosse, Dan Cameron, Horn of Plenty, catalogue essays for exhibition at Stedelijk Museum, illus: "Cosmic Shorthand," "Digital Affection," "Double Play," Abstract America," color, "Fake Freak," b/w |
| | Ostrow, Saul, Diagrams & Surrogates, catalogue essay for exhibition at Shea & Beker Gallery, illus: "The Redundant Sublime," color, p. 8 |
| | Meloni, Lucilla, "Jonathan Lasker at G.E. Sperone," Tema Celeste, January-March, illus: "Fake Freak," b/w, p. 69 |
| | Mammí, Alessandra, "Jonathan Lasker at G.E. Sperone," Artforum, February, illus: "Fake Freak," b/w, p. 142 |
| | Collins & Milazzo, Hyperframes, Post Appropriation Discourse, The Yale Lectures, Volume I, Editions Antoine Candau, Paris, paperbound, 55 pp. (English text), 57 pp. (French text) |
| | Schwendenwien, Jude, "The Silent Baroque," Contemporanea, October, illus: "Psychic Governance," p. 89 |
| | Collins & Milazzo, Cultural Promiscuity: A Dialogue With Jonathan Lasker, Gian Enzo Sperone Editions, paperbound, unpaginated, illus: 13 Studies for a painting entitled "Cultural Promiscuity," color |
| | Draxler, Helmut, "The Silent Baroque," Flash Art, October, p. 144 |
| | Smith, Roberta, "Jonathan Lasker at Massimo Audiello," The New York Times, 27 October, p. C30 |
| | Leigh, Christian, editor, with numerous contributors, The Silent Baroque, Thaddaeus Ropac Editions, hardbound, 288 pp., illus: "Psychic Governance," color, 6 drawing project entitled "The Ornate Psyche," b/w |
| | Paparoni, Demetrio, "Conversation With Jonathan Lasker," Tema Celeste, October-December, illus: "Born Yesterday," "Those of Questionable Existence," "Notes From a Wooden Computer," color, pp. 51-53 |
| | Westfall, Stephan, "Jonathan Lasker at Massimo Audiello," Art Today (monthly video tape publication), November, vol. 1 no. 1 |
| | Glueck, Grace, "Around Los Angeles, Private Foundations Offer Art to The Public," The New York Times, 28 December, pp. C13, C16 |
| | Collins & Milazzo, Art at the End of the Social, catalogue essay for exhibition at the Rooseum, illus: "Contemporary Tribalism," "For A Small Country," "Beer Culture," "Today's Universe," color, pp. 184-187 |
| | Scuteri, Rosma, "Jonathan Lasker at G.E. Sperone," Flash Art, Italian Edition, February-March, illus: "Fake Freak," b/w, p. 113 |
| | Van Nieuwenhuyzen, Martijn, "Horn of Plenty," Flash Art, International Edition, March-April, p. 102 |
| | Bosma, Marja, "Horn of Plenty," Contemporanea, May, illus: "Digital Affection," color, p. 94 |
| | Holst, Lise, "Diagrams and Surrogates," Artnews, May, p. 171 |
| | Lombardi, Angela, "Interview with Jonathan Lasker," Tema Celeste, April-June, illus: "Cosmic Vernacular," "The Realm of the Quaint," "The New Infancy," color, pp. 62-63 |
| | Greenspan, Stuart, "Art 2,The Schorr Collection," Art & Auction, March, illus: "The New Infancy," color, pp. 138-141 |
| | Masheck, Joseph, David Shapiro, F. Pellizzi, P. Gettinger, 1979-1989 American, Italian, Mexican Art from the Collection of Francesco Pellizzi, catalogue essays for exhibition at Hofstra University, illus: "Spiritual Entertainment," color, p. 37 |
| | Higuchi, Shoichiro, "Artist in New York: Jonathan Lasker," Anthropos, November, illus: "Cosmic Vernacular," color, pp. 132-134 |
| | Paparoni, Demetrio, & Michelangelo Castello, Specchi Ustori, Tema Celeste Edizioni, Siracusa, Italy, paperbound, 133 pp., illus: series of 4 drawings |
| 1990 | Kaneda, Shirley, "Interview with Jonathan Lasker," Bomb, Winter, illus: "Born Yesterday," "Arcane Reasoning," "Worlds of Mutual Exclusion," b/w, pp. 16-19 |
| | Schwendenwien, Jude, "A Thousand Words, Jonathan Lasker's Sublime Discourse," Artscribe, January-February, illus: "Today's Universe ," "Popular Psyche," "The Big Picture," color, pp. 58-61 |
| | Masheck, Joseph, "Painting in Double Negative, Jonathan Lasker's Third-Stream Abstraction," Arts Magazine, January, illus: "Baroque Transparency," "Expressive Abstinence," "Born Yesterday," "Gutteral Antiquity," color, pp. 38-43 |
| | MacAdam, Barbara, "Jonathan Lasker at Massimo Audiello," Artnews, February, illus: "Born Yesterday," b/w, pp. 154-155 |
| | Collins & Milazzo, Token Gestures, catalogue essay for exhibition at Scott Hanson Gallery, illus: "After Right and Wrong," b/w, unpaginated |
| | Higuchi, Shoichiro, "This Side and the Opposite Side of Lasker's Screen," Idea, March, illus: "Obscure Designs," "Notes from a Wooden Computer," color, "Contemporary Tribalism," b/w, pp. 126-127 |
| | Carrier, David, "Abstract Working Spaces: Jonathan Lasker at Massimo Audiello," Art International, Spring, illus: "Rural Geometry," color, pp. 68-70 |
| | Kisters, Juergen, "Galerie Werner Zeigt Jonathan Lasker," Kölner Stadt Anzeiger, April 21/22 |
| | Ratcliff, Carter, "Notes on Line," Art in America, June, illus: "Euphoric Routines," color, pp. 152-157 |
| | Rantanen, Mari, Worlds, Maailmat '90, catalogue essay for exhibition at Joensuu Art Museum, illus: "Worlds of Mutual Exclusion," "Today's Universe," color, pp. 21-25 |
| | Reindl, Uta, "Jonathan Lasker at Michael Werner," Kunstforum, June-July, illus: "Arcadian Sections," color, p. 312 |
| | Schwendenwien, Jude, The Significance of Moments, catalogue essay for solo exhibition at Michael Werner Gallery, illus: "Terse Psyche," "Simple Painting," "Gutteral Antiquity," "Formalities of Self," "Standards of Expression," "Arcadian Sections," "Born Yesterday," "Infant Wisdom," "To Be A Thing," "Cosmic Self-Evidence," color |
| | Snitzer, Joan, "Token Gestures," Tema Celeste, July-October, pp. 68-69 |
| | Crone, Rainer and David Moos, "Painting at a Moment," Painting Alone, catalogue essay for exhibition at Pace Gallery, illus: "The Spiritual Economy," color, p. 51 |
| | Pincus-Witten, Robert, and Collins & Milazzo, The Last Decade: American Artists of the Eighties, catalogue essays for exhibition at Tony Shafrazi Gallery, illus: "Mantra to a Distracted God," color |
| | Collins & Milazzo, Hyperframes: A Post Appropriation Discourse, Volume II, Editions Antoine Candau, Paris, paperbound, 108 pp., (English text), 117 pp. (French text) |
| | Smith, Roberta, "Painting Alone," The New York Times, 12 October, p. C23 |
| | Reisman, David, "Token Gestures," Artscribe, September-October, p. 88 |
| | Schwabsky, Barry, "Forwarding Address: Abstract Painting in Some Recent Manifestations," Arts Magazine, November, pp. 96-97 |
| | Zetterstrom, Jelena, "Spänning Rörelse: Jonathan Lasker at Anders Tornberg," Sydsvenska Dagbladet, 24 November |
| | Kaneda, Shirley, "Painting Alone," Arts Magazine, December, p. 84 |
| | Unauthored, Jonathan Lasker, catalogue for solo exhibition at Anders Tornberg Gallery, illus.: 16 untitled darwings, color |
| | Kuspit, Donald, Artforum, December, pp. 131-132 |
| | Balmas, Paolo, "New York, A Kaleidoscope from Outside: Jonathan Lasker at Massimo Audiello," Segno, Annual Edition, p. 36 |
| 1991 | Ostrow, Saul, "Painting Alone," Tema Celeste, January-February, p. 90 |
| | Ostrow, Saul, Strategies for the Next Painting, catalogue essay for exhibition at Wolff Gallery and Feigen Inc., illus: "Some Like Love," b/w, p. 6 |
| | Masheck, Joseph, "Haven't We Met Before? Between Intuition and Reason," catalogue essay for exhibition at the Grossman Gallery, unpaginated, illus: "Double Play," "After Right and Wrong," "The Big Picture," color |
| | Collins & Milazzo, "From Kitsch to Kant and Back Again," Tema Celeste, January-February, pp. 76-80 |
| | Jones, Alan, "Carte Blanche: Books in Artists' Lives, Part II," Arts Magazine, February, pp. 25-26 |
| | Crone, Rainer and David Moos, "Romance of the Real," Interpreting Contemporary Art, essay in an anthology. Stephen Bann and William Allen, Editors, Reaktion Books, paperbound, 229 pp., illus.: "Double Play," color, "Main Event," "The Excessive Norm," "Flowers Bomb," "Baroque Transparency," b/w |
| | Paparoni, Demetrio, "Le Pulsioni Dell'Arte," Riza Scienze, April, illus: "Mantra To a Distracted God," color, p. 53 and magazine cover |
| | Ayerza, Josefina and Lynn Crawford, "Jonathan Lasker" and "Abstracts of a Conversation with the Artist," Lancanian Ink, no. 3, illus: 6 untitled drawings, b/w, pp. 68-75 and back cover |
| | Kaneda, Shirley, "Painting and Its Others," Arts Magazine, Summer, p. 62 |
| | Forstbauer, Nikolai, "Feuilleton: Liebenswerter Kunst-Irrgarten," Stuttgarter Nachrichten, 13 June, illus: "Born Yesterday," b/w |
| | Forstbauer, Nikolai, "Was Für Eine Grossartige Malerei," Stuttgarter Nachrichten, 24 June, illus: "Why Things Are," b/w |
| | Forstbauer, Nikolai, "Jonathan Lasker: Why Things Are Born Yesterday," Zyma, 24 June, illus: "Born Yesterday," "Cosmic Self-Evidence," "To Be A Thing," color, pp. 22-25 |
| | Ericsson, Lars, "Jonathan Lasker at Lars Bohman," Dagens Nyheter, 6 September, illus: untitled oil study, color, p. B3 |
| | Newhall, Edith, "Fall Preview," New York Magazine, 23 September, p. 62 |
| | Sandqvist, Gertrud, "Jonathan Lasker at Lars Bohman," Svenska Dagbladet, 21 September |
| | Mahoney, Robert, Arts Magazine, October, p. 95 |
| | Barilli, Renato, Jan Avgikos, et al., Anni Novanta, catalogue essays for exhibition at the Bologna Galleria d'Arte Moderna, illus: "Cosmic Self-Evidence," color, "Public Love," "Ode to a Mutt," b/w., pp. 62, 63 |
| | Hagen, Charles, "Art in Review: Jonathan Lasker at Sperone Westwater," The New York Times, 18 October, p. C28 |
| | Gookin, Kirby, Rainer Crone, and David Moos, "Drawing a Line Between Illusion and Reality," and "The Status of Beauty: Jonathan Lasker and the Rose," Jonathan Lasker, catalogue essays for solo exhbition at Sperone Westwater Gallery, illus: "Fake Freak," "The Politics of Reality," "Digital Affection," "Histrionic Infinity," "The Big Picture," "Euphoric Routines," "How To Be," "Some Share Eternity," "Public Love," "To Believe in Food," "The History Of The Boudoir," "Improved Expressions," "To an Object of Love," "Polite Cosmos," "The Power of Weakness," "The Division of Happiness," color; "Arcadian Sections," "Cosmic Self-Evidence," b/w |
| | Wheeler, Daniel, Art Since Mid-Century: 1945 to the Present, Vendome Press, hardbound, 344 pp., illus: "Today's Universe," color |
| | Paparoni, Demetrio, The Metaphysics of Light, catalogue essay for exhibition at John Good Gallery, illus: "Rustic Psyche," color |
| | Paparoni, Demetrio, "Conversation with Jonathan Lasker," Tema Celeste, Autumn, illus: "The Cosmic Vernacular," "Standards of Expression," "The Meaning of Pleasure," "Love's Rhetoric," color, pp. 88-89, cover |
| | Görner, Veit, "Expertentip-Etabliertes Für Einsteiger," Pan, October, illus: "Born Yesterday," color, p. 24 |
| | Janis, Carroll, Jonathan Lasker, et al., Conceptual Abstraction, catalogue essay for exhibition at Sidney Janis Gallery, unpaginated, illus: "Arcadian Sections," b/w |
| | Balmas, Paolo, "Il Caso Lasker," Segno, September, pp. 20, 22-23 |
| | Weinstein, Matthew, "Jonathan Lasker at Sperone Westwater," Artforum, December, illus: "Polite Cosmos," b/w, pp. 97-98 |
| | Schwabsky, Barry, "Jonathan Lasker at Sperone Westwater," Arts Magazine, December, illus: "The Power of Weakness," color, p. 66 |
| | Kaufman, Ruth, Mike Metz, Stubborn Painting, catalogue essays for exhibition at Max Protetch Gallery, unpaginated, illus: "Natural Formality," "Canaletto," "The Excessive Norm," b/w |
| | Richardson, Trevor, Art on Paper, catalogue essay for exhibition at Weatherspoon Art Gallery, illus: untitled drawing, b/w, p. 15 |
| | Smith, Roberta, "Art in Review-Conceptual Abstraction," The New York Times, 27 December, p. C31 |
| | Dietmar, Carl, Die Chronik Kölns, Kölner Stadt Anzeiger-Chronik Publications, hardbound, 600 pp., illus: "Infant Wisdom," and "To Be a Thing" in installation at Michael Werner Gallery, color |
| | Taeger, Alisa, "Color and Abstract Painting: Expanding the Palette," Lapis, October, illus: "Public Love," pp. 62-65 |
| | Myers, Terry, "Jonathan Lasker at Sperone Westwater," Lapiz, November, illus: "To an Object of Love," color, p. 67 |
| 1992 | Johnson, Ken, "Jonathan Lasker at Sperone Westwater," Art in America, January, illus: "To an Object of Love," color, pp. 111-112 |
| | Smith, Roberta, "Abstraction: A Trend That May Be Coming Back," The New York Times, 10 January, p. C28 |
| | Rosenberg, Barry, and Peter Halley, The City Influence, catalogue essays for exhibition at Dayton Art Institute, unpaginated, illus: "Love's Rhetoric," "Notes From A Wooden Computer," "Rustic Psyche," "To an Object of Love," "The History of the Boudoir," color |
| | Feldman, Melissa, Jonathan Lasker, Paintings, 1985-1991, catalogue essay for solo exhibition at I.C.A., unpaginated, illus: "The Meaning of Pleasure," "Improved Expressions, " The Sublimation of Love," "The Realm of the Quaint," "Landscape with Blob," color |
| | Sozanski, Edward, "Jonathan Lasker at I.C.A.," Philadelphia Inquirer, 2 February, pp. K1, K5 |
| | MacAdam, Barbara A., "La Metafisica della Luce at John Good," Artnews, February, pp. 128-129 |
| | Gardner, Paul, "Do Titles Really Matter?" Artnews, February, illus: "Euphoric Routines," color, p. 97 |
| | Mullinax, Gary, "Jonathan Lasker at I.C.A.," Willmington Journal, 2 February, illus: "Improved Expressions," b/w |
| | Welish, Marjorie, "Abstraction, Advocacy of," Tema Celeste, January-March, illus: "Arcadian Sections," "Rustic Psyche," color, pp. 74-79 |
| | Carrier, David, "Afterlight: Exhibiting Abstract Painting in the Era of its Belatedness," Arts Magazine, March, pp. 60-61 |
| | Madoff, Steven Henry, "A New Lost Generation," Artnews, April, illus: "The Division of Happiness," color, pp. 72-77 |
| | Mahoney, Robert, "Review of Stubborn Painting," Arts Magazine, April, pp. 90-91 |
| | Cameron, Dan, "Crtical Edge: The Outlaw Academy," Art & Auction, May, pp. 96, 98 |
| | Liebmann, Lisa, "Documenting Documenta," Interview, June, pp. 44, 46, 48, 50 |
| | Sandqvist, Gertrud, "Documenta Satter Reglerna Ur Spel," Svenska Dagbladet, 21 June, p.13 |
| | Kimmelman, Michael, "At Documenta It's Survival of the Loudest," The New York Times, 5 July, p. 27 |
| | Levin, Kim, "Jan Who? Docu What?," Village Voice, 14 July, pp. 95-96 |
| | Murphy, Mary, "Consciousness in the Abstract," New Art Examiner, Summer, illus: "Rustic Psyche," b/w 16-20, pp. 16-20 |
| | Collins & Milazzo, Theoretically Yours, catalogue essay for exhibition at Museo Regione Autonoma della Valle d'Aosta, 224 pp., illus: "Main Event," color |
| | Ricke, Rolf, editor, Kinder: Macht Neues, catalogue for exhibition at Rolf Ricke Gallery, unpaginated, illus: "Love's Rhetoric," color |
| | Schlagheck, Irma, "Documenta IX: Riskanter Balanceakt Mit 186 Artisten," Art, June, illus: "To Believe in Food," color, pp. 26-46 |
| | Faust, Wolfgang Max, "Die Kunst Nach Dem Tod Der Modernen Stile: Erste Hilfe Für Besucher Der Documenta 9," Art, June, illus: "The History of the Boudoir," color, pp. 48-49, 51-53 |
| | Hoet, Jan, Denys Zacharopoulos, Bart De Baere, Pier Lugi Tazzi, et al., Documenta IX, catalogue for exhibition in Kassel, illus: "To Believe in Food," "The History of the Boudoir," color, 619 pp. |
| | Dagen, Philippe, "Jonathan Lasker: Tableaux Froids," Le Monde, 17 June |
| | Schjeldahl, Peter, "Documenta of the Dog, "Art in America, September, pp. 77, 88-97 |
| | Ayres, Anne, "Documenta IX, "Art Issues, September-October, pp. 34-35 |
| | Ardenne, Paul, "Jonathan Lasker at Thaddaeus Ropac," Art Press, September, illus: "Styles of Being," b/w, p. 91 |
| | Levi, Paolo, "Giovani Informali," Capital, July, illus: "To Win at Art," color, pp. 182-184, 186 |
| | Kunz, Martin, "U.S.A.-Blickpunkt Eastcoast," Kunstforum, no. 119, illus: "To Believe in Food," "The History of the Boudoir," color, pp. 168, 381 |
| | Collins & Milazzo, Who's Afraid of Duchamp, Minimalism, and Passport Photography?, catalogue essay for exhibition at Annina Nosei Gallery, unillustrated, 31 pp. |
| | Schwarzwälder, Rosemarie, editor, Abstract Painting Between Analysis and Synthesis, catalogue for exhibition at Galerie nächst St. Stephan, paperbound, 155 pp., illus: "Theoretical Pleasure," color, "Hark," b/w |
| | Goetz, Stephan, American Artists in Their New York Studios: Conversations about the Creation of Contemporary Art, Daco-Verlag Guenter Blaese, hardbound, 176 pp., illus: untitled drawing, b/w |
| | Adcock, Craig, "Documenta IX," Tema Celeste, Autumn, pp. 84-86 |
| | Paparoni, Demetrio, "L'Arancia e il Suo Succo, L'Astrazione Tra Realtá e Simulazione," Tema Celeste, April-June, illus: "The Cosmic Vernacular," color, p. 59 |
| | Beatrice, Luca, "Theoretically Yours," Tema Celeste, Autumn, p. 101 |
| | Smolik, Noemi, "Kinder Macht Neues," Artforum, December, p. 105 |
| | Mitchell, Charles Dee, "Jonathan Lasker Epitomizes a New Wave of Abstract Painters," The Dallas Morning News, 8 December, illus: "The Happiness of Nations," color, pp. 1C, 3C |
| 1993 | Collins & Milazzo, "Culturele Ontmaskering, Een Vraagesprek Met Jonathan Lasker," Metrpolis M, February, illus: "Improved Expressions," "Some Like Love," "The Happiness of Nations," color, "The Unlearning," "Painting for an Invisible Generation," "Styles of Being," "Nice N.Y.C.," b/w, pp. 20-25 |
| | Blotkamp, Carel, "In Praise of Painting (Crisis? What Crisis?)," Huttenloecher, Lasker, Van Meerendonk, catalogue essay for solo exhibition at Witte de With Center for Contemporary Art, illus: "Cosmic Self-Evidence," "Infant Wisdom," "How To Be," "Reasonable Painting," "Some Share Eternity," "The Ecstasy of Logic," "Painting for an Invisible Generation," "When Dreams Work," color, hardbound, 94 pp. |
| | Unauthored, The Brushstroke: Painting in the 90's, catalogue for exhibition at Ruth Bloom Gallery, illus: "Arabesque Quotations," color |
| | Wesseling, Janneke, "Het Spook Van De Netvlieskunst," NRC Handelsblad, 12 February, illus: "How To Be," b/w, p. 4 of cultural supplement |
| | Masheck, Joseph, Modernities: Art-Matters in the Present, Penn State Press, hardbound, 304 pp., illus: "Spiritual Entertainment," b/w |
| | Pinchbeck, Daniel, "Openings," Art & Antiques, April, illus: "Ode to Basketball,"color, p. 21 |
| | Danto, Arthur, "Art After the End of the Art," Artforum, April, illus: "Invective Decor," color and b/w, cover, pp. 3, 62-69 |
| | Jansen, Bert, "Witte De With Doet Persoonlijk Verslag Gevolgde Route," Het Financieele Dagblad, 6 March, illus: "How To Be," "Some Like Love," b/w, p. 13 |
| | Jacobs, Cornee, "Hedendaagse Abstracte Schilders in Witte de With," Utrechts Nieuwsblad, 23 February, illus: "Some Like Love," b/w |
| | Iles, Vera, "Kunst of Geen Kunst, dat is De Vraag Niet," Elsevier, 18 February, illus: "How To Be," color, p. 94 |
| | Welling, Dolf, "Op Zijn Hondjes Kijken in Witte de With," Rotterdams Dagblad, 16 February |
| | Suetoe, Wilma, "Is De Schilderkunst Uuitgetput En Voorbij?," De Volkskrant, 18 February |
| | Wiens, Ann, "On View: Jonathan Lasker at Rhona Hoffman Gallery, " New Art Examiner, May, illus: "Selective Identity," b/w, pp. 36-37 |
| | Hoenjet, Frank, "Huettenloecher, Lasker and Van Merendonk," Forum International, May-August, p. 132 |
| | Crone, Rainer, and David Moos, Jonathan Lasker, Telling the Tales of Painting: About Abstraction at the End of the Millenium, Edition Cantz, hardbound, 189 pp., illus: 60 oil studies, color |
| | Paparoni, Demetrio, "The Self-Regulation of the System," Italy-America: Abstraction Redefined, catalogue essay for exhibition at Galleria Nazionale d'Arte Moderna, illus: "Digital Affection," color, 175 pp. |
| | Sonna, Birgit, "Aktuell in Münchener Gallerien: Jonathan Lasker at Bernd Klüser," Sueddeutsche Zeitung, 15 June |
| | Spadano, Lucia, "Interview with Demetrio Paparoni," Segno, Summer, p. 36 |
| | Schwarz, Arturo, "Una Mostra Da Non Perdere," Segno, Summer, pp. 37-39 |
| | Carrier, David, "Italia/America, L'Astrazione Ridefinita," Segno, Summer, illus: "Digital Affection," color, p. 35 |
| | Neri, Louise, editor, "Cherchez la femme Peintre (an Inquiry)," Parkett, no. 37, p. 143 |
| | Larson, Kay, "Jonathan Lasker at Sperone Westwater," New York Magazine , 11 October, p. 82 |
| | Plagens, Peter, "The Soho Scene Lights Up: Jonathan Lasker at Sperone Westwater," Newsweek, 11 October, illus: "The Value of Pictures," color, p. 58 |
| | Liebman, Lisa, "Art: Cool Kid. Jonathan Lasker at Sperone Westwater," The New Yorker, 18 October, p. 20 |
| | Joyner, Will, "Is It Art? Just Ask Any Child," The New York Times, 12 November, pp. C1, C6 |
| | Rainwater, Robert, The American Livre De Paintre, catalogue essay for exhibition at the Grolier Club, illus: drawing for "Not a First," b/w, p. 26 |
| | Hixson, Kathryn, "Jonathan Lasker at Rhona Hoffman Gallery," Forum International, October-November, illus: "Natural Order", b/w, p. 135 |
| | Kuspit, Donald, "Jonathan Lasker at Sperone Westwater," Artforum, December, illus: "Reverse Society," b/w, p. 80 |
| | Cameron, Dan, Book Review of "Jonathan Lasker: Telling the Tales of Painting," Artforum, December, p. 73 |
| | Welish, Marjorie, Arthur Danto, and Rainer Crone, New York Painters, catalogue essays for exhibition at Sammlung Goetz, illus: "Inlet," "The Trophies," "Cave Painting," "Standards of Expression," "Infant Wisdom," b/w, "Cosmic Self-Evidence," "Invective Decor," twelve untitled studies, color, 73 pp. |
| | Trimarco, Angelo, "Italia/America, L'Astrazione Ridefinita," Tema Celeste, Autumn, illus: "Digital Affection," color, pp. 68-69 |
| 1994 | Searle, Adrian, Unbound: Possibilities in Painting, catalogue essay for exhibition at Hayward Gallery, illus: "Public Love," "Natural Order," "Reverse Society," "Styles of Being," color, cover, pp. 66-71 |
| | Cork, Richard, "Painting is Back in the Picture," The London Times, 8 March, illus: "Public Love," b/w, p. 35 |
| | Lillington, David, "Zeitgeist," Time Out, 9-16 March, p. 2 |
| | Graham-Dixon, Andrew, "Sort of, Almost, In a Way, Nearly," The Independent, 15 March, p. 15 |
| | Januszczak, Waldemar, "A State of Confusion," The London Times, 13 March, illus: "Styles of Being," color, pp. 28-29 |
| | Packer, William, "Unbound: Possibilities in Painting," Financial Times, 15 March |
| | Briet, Philippe, Le Temps D'Un Dessin, catalogue poem for exhibition at École Des Beaux Arts De L'Orient, unpaginated, illus: untitled drawing, b/w |
| | Bonami, Francesco, "Jonathan Lasker: Meaning Can Happen," Flash Art, May-June, illus: "The Value of Pictures," "Natural Order," "The Outsides Are In," color, pp. 94-95 |
| | Milner, Catherine, "A Brighter Picture," London Times Magazine, 29 January, illus: "Public Love," color |
| | Batchelor, David, "Behind a Painted Smile: Unbound at the Hayward Gallery", Frieze, May, illus: "Public Love", b/w, pp. 18-21 |
| | McKay, Ian, "Back to Basics," The Sunday Times, 23 March |
| | Carrier, David, The Aesthete in the City: The Philosophy and Practice of America Abstract Painting in the 1980's, Penn State Press, hardbound, 290 pp., illus: "Ascension," "Nature Study," "Strawberry Fields," b/w |
| | Monteil, Anne Marie, "Wenn Ungleiches Den Diskurs Versucht: Jonathan Lasker in der Galerie Buchmann," Basler Zeitung, 14 June, illus: "How to Be Unique," color |
| | Paparoni, Demetrio, L'Astrazione Ridefinita, Tema Celeste Editions, paperbound, 112 pp., illus: "Rustic Psyche," "Digital Affection," color |
| | Plagens, Peter, "Crisis in the Contemporary," Art & Auction, June, pp. 76-78, 113 |
| | Cameron, Dan, "Crisis in the Contemporary: A Response," Art & Auction, June, pp. 79, 113 |
| | Archer, Michael, "Unbound," Art & Text, May, illus: "Public Love," b/w, p. 85 |
| | Godfrey, Tony, Chance, Choice and Irony, catalogue essay and interviews for exhibition at Todd and John Hansard Galleries, illus: "The Politics of Reality," color, p. 72 |
| | Dannatt, Adrain, "Painting by Numbers,Three Painting Shows," Flash Art, Summer, pp. 120-121 |
| | Anonymous, The Assertive Image, catalogue essay for exhibition at Armand Hammer Museum of Art, illus: "Contemporary Tribalism," color, p. 11 |
| | Kildahl, Merete, "Malerei, Kropp Og Rom," Moss Dagblad, 3 June, p. 28 |
| | Stafne, Anne Lise, "Kropp Rom-Og Dialog," Aftenposten, June 5 |
| | Blom, Ina, "Maleriet Som Sted Pa F15," Aftenposten, 17 June, illus: "Life Can Be Beautiful," b/w |
| | Sandberg, Lotte, "Maleriet Lever Pa Jeloy," Dagbladet, 20 June |
| | Lillington, David, "Unbound," Metropolis M, June, illus: "The Pride of Being," color, pp. 52-53 |
| | Birnbaum, Daniel, "Jonathan Lasker at Lars Bohman," Dagens Nyheter, 16 September, illus: "Real Imaginary," color, p. B3 |
| | Saltz, Jerry, "A Year in the Life: Tropic of Painting," Art in America, October, illus: "Terms of Reality," color, pp. 100-101 |
| | Ocvirk, Otto, Robert Stinson, et al., Art Fundamentals, hardbound, 336 pp., W.C.S. Brown & Benchmark Press, illus: "The Division of Happiness," color |
| | Ostrow, Saul, Jonathan Lasker: A Pre-Fab View, catalogue essay for solo exhibition at Bravin Post Lee, 36 pp., illus: "Heath," "The View from Home Plate," "5 of Sapdes," "Land O'Goshen," "Crystal Falls," "Sceptre," "Greek," "An Intrusion of Dawn," "Pre-Fab View," "Procession," "Heart in a Whirl," "Lemon Smash," color |
| | Van Den Heeg, Eric, "Interview with Jonathan Lasker," Material, October, illus: "Reverse Society," b/w |
| | Rosenthal, Mark, "Critiques of Pure Abstraction: Jonathan Lasker," Atelier, July, illus.: "Born Yesterday," "The Happiness of Cannibals," color, cover, p. 98 |
| | Francis, Mary Ann, "Chance, Choice and Irony," Untitled, Summer, p. 23 |
| | Unauthored, American Painting Now, catalogue for exhibition at Galleries Fossati, Menzio and Rimoldi, illus.: "The Politics of Reality," untitled oil study, color |
| | Soave, Lorenzo Pittore, Tutti Questi Mondi, catalogue for exhibition at Galleria Carini, illus.: "How To Be," color |
| | Schjeldahl, Peter, and W. Jackson Rushing, Abstraction: A Tradition of Collecting in Miami, catalogue essays for exhibition at the Center for Fine Arts |
| 1995 | Bankowsky, Jack, "Talk with Klaus Kertess: The Art of the Matter, Curating the Whitney Biennial," Artforum, January, pp. 71-104 |
| | Shaw, Brittain, "Critiques of Pure Abstraction: Blaffer Exhibit Puts Abstraction in Modern Light," Houston Chronicle, 28 January, pp. 1-4 |
| | James, Eric, "Critiques of Pure Abstraction: Blaffer Gallery Goes Abstract," Houston Daily Cougar, 1 February |
| | Ayerza, Josephina, Editor, "Written, Spoken, Drawn in Lacanian Ink," Lacanian Ink, Winter, illus: untitled drawing, b/w, p. 95 |
| | Schjeldahl, Peter, "On a Lasker," Jonathan Lasker, catalogue essay for solo exhibition at Soledad Lorenzo Gallery, 38 pp., illus: "The Divergence of Truth and Beauty," "Articulate Ecstasy," "Natural Order," "Expression of an Uncertain Universe," "Interpretive Painting," "The Consciousness of Animals," five untitled oil studies, color |
| | Danvila, Jose Ramon, "Jonathan Lasker at Soledad Lorenzo: Tecnica Directa, Directa Pintura," El Punto de las Artes, 3-9 February, illus: "The Consciousness of Animals," b/w |
| | Florez, Fernando Castro, "Jonathan Lasker at Soledad Lorenzo Gallery: Una Pintura en Busca de Divergencias," Diario 16, 3 February, illus: "The Divergence of Truth and Beauty," b/w |
| | Arkio, Tuula, and Maaretta Jaukkuuri, Ars 95 Helsinki, catalogue essays for exhibition at Museum of Contemporary Art, illus: "Reverse Society," color, pp. 72-73 |
| | Ericsson, Lars O., "Ars '95: Valrdskonsten Till Helsingfors," Dagens Nyheter, 17 February, p. B3 |
| | Fechner-Smarsly, Thomas, "Ars '95: Standort Bestimmung in Helsinki," Neue Bildende Kunst, February, pp. 42-45 |
| | Fechner-Smarsly, Thomas, "Ars '95: Periphere und Perfide Idyllen,"Frankfurter Rundschau, p. 7 |
| | Rosenthal, Mark, Critiques of Pure Abstraction, catalogue essay for traveling exhibition, unpaginated, illus: "The Happiness of Cannibals," color |
| | Schiche, Ericka, "Critiques of Pure Abstraction: Abstract Divorce," Public News, 22 February, p. C12 |
| | Jimènez, Pablo, "Jonathan Lasker at Soledad Lorenzo Gallery: Esplendores De La Pintura," ABC Cultural, 24 February, illus: "The Consciousness of Animals," b/w |
| | Serraller, Francisco Calvo, " Jonathan Lasker at Soledad Lorenzo Gallery: Pintar en frio," El Pais, 25 February, illus: "The Divergence of Truth and Beauty," b/w |
| | Melrod, George, "Openings: Exploring Nature and Line as Metaphor," Art & Antiques, February, illus: "The Happiness of Nations," color, pp. 29-30 |
| | Schels, Evelyn, "Heiter in den Untergang," Elle (German Edition), February, illus: "The Outsiders Are In," "Moral Fantasia," "The Value of Pictures," color, pp. 84-88 |
| | Danto, Arthur, H. Ashley Kistler, et al., Repicturing Abstraction, catalogue essays for exhibition at Virginia Museum of Fine Arts, illus.: "mantra to a Distracted God," color, pp. 46-47 |
| | Dreher, Thomas, "Antiquiertheit Der Malerei?," Pittura Immedia, catalogue essay for exhibition at Kunstlerhaus Graz, illus: "The Politics of Reality," b/w, pp. 27-35 | |
| | Goldberger, Paul, "The Art of His Choosing: Klaus Kertess Curates the 1995 Whitney Biennial," The New York Times Magazine, 26 February, pp. 30-38 |
| | Pagel, David, "Jonathan Lasker at L.A. Louver: Lasker's Own Purposeful Purposelesslness," Los Angeles Times, 2 March, p. F4 |
| | Rubinstein, Raphael, "Counter Resolution: Jonathan Lasker Approach to Abstraction" Art in America, April, illus: "Hermeneutic Picture," "5 of Spades," "The Realm of the Quaint," "Interpretative Painting," "Expressions of an Uncertain Universe," "Articulate Ecstasy," color, pp.84-89 |
| | Freedman, Lynn, editor, Independent Curators Incorporated, producer, Critiques of Pure Abstraction, introductory videotape accompanying touring exhibition |
| | Olmo, Santiago B., "Color y Forma, Orden y Caos-Entrevista con Jonathan Lasker," Lapis, April, illus: "Expressions of an Uncertain Universe," "The View from Home Plate," "Lemon Smash," "Pre-Fab View," "The Consciousness of Animals," "Articulate Ecstasy," "Heart in a Whirl," "Natural Order," two untitled oil studies, color, pp. 56-63 |
| | Risatti, Howard, "On View: Repicturing Abstraction," New Art Examiner, April, illus: "Mantra to a Distracted God," b/w, pp. 32-33, 57 |
| | Valjakka, Timo, "Letter from Helsinki: Art to Finnish," Artforum, May, pp. 27-28 |
| | Berger, John, et al., Das Abenteuer Der Malerei, catalogue essays for exhibition at Kunstverein Rheinland-Westfalen and Württembergischer Kunstverein, illus: "The Kissed and the Missed, "Moral Highlights," "Articulate Ecstasy," color, pp. 165-167 |
| | Moos, David, and Philip David Zelazo, Architecture of the Mind, catalogue essays for exhibition at Barbara Farber Gallery, unpaginated, illus: study for "The Eternal Silence of Infinite Space," color |
| | Van De Velde, Paola, "Architecture of the Mind," Courant Nieuws, 25 April |
| | Gayer, John, "Ars 95 at Helsinki," C Magazine, Summer, pp. 35-36 |
| | Ostrow, Saul, "Un Ensemble Fragmenté: La Peinture Abstraite Après le Modernisme," Art Press, no. 16, illus: "5 of Spades," "Scotties's Wasteland," "Lemon Smash," color, p. 158 |
| | Stolz, George, "Jonathan Lasker at Soledad Lorenzo," Artnews, September, illus: "The Divergence of Truth and Beauty," b/w, p. 160 |
| | Finckh, Gerhard, and Ralf Dank, Positionen-Beobachtungen zum Stand der Malerei in den 90er Jahren, catalogue essays for exhibition at Folkwang Museum, illus: "Infant Wisdom," "Standards of Expression," "Invective Décor," "How to Be Unique," "Artistic Painting," five untitled oil studies on paper, color, pp. 39-49 |
| | Kaeppelin, Olivier, "Jonathan Lasker: Public Love," Morceaux Choisis, catalogue essay for exhibition of new F.N.A.C. acquisitions at Centre National d'Art Conteporain, Grenoble, illus: "Public Love," b/w, pp. 119-120 |
| | Basualdo, Carlos, and Virginia Perez-Ratton, Mesotica, catalogue essays for exhibition at Museo de Arte y Diseño Contemporaneo, San José, Costa Rica, illus: "Permanent Expressions," color, p. 41 |
| | Krause, Manfred, "Meilensteine Im Labyrinth Der Malerei," Westdeutsche Allgemeine, 23 June, illus: "Infant Wisdom," "Artistic Painting," b/w |
| | Wintzenburg, Ludwig, "Kunst Positionen Der Beliebigkeit," Neue Ruhr Zeitung, 23 June |
| | Luddemann, Stefan, "Malen Als Kühle Artistik," Neue Osnabrucker Zeitung, 27 June, illus: "Artistic Painting," b/w |
| | Krause, Manfred, "Totgesagte Leben Länger," Westdeutsche Allgemeine, 4 July, illus: "Artistic Painting," b/w |
| | Kampmann, Matthias, "An Der Grenze Des Mediums," Westfalischer Anzeiger, 5 July, illus: "Artistic Painting," b/w, p. 6 |
| | Willems, Sophia, "Vom Mehrwert Der Malerei Heute," Westdeutsche Zeitung, 12 July |
| | Struck, Kristina, "Beobachtungen Zur Malerei," Evangelische Wochenzeitung für Das Rheinland, 16 July |
| | Müller, Sabine, "Positionen In Der Malerei In Den 90er Jahren," Kölner Stadt-Anzeiger, 20 July |
| | Jäger, Frans Den Hartog, "Zoeken Naar Waar Verf En Illusie Elkaar Raken," NRC Handelsblad, 21 July |
| | Shah, Anita, "Der Maler Und Sein Double," Frankfurter Allgemeine Zeitung, 25 July |
| | Wolgamott, L. Kent, "Critiques of Pure Abstraction at Sheldon Museum," Lincoln Journal Star, 26 November, p. 13H |
| 1996 | Paparoni, Demetrio, "Conversation with Jonathan Lasker," Tema Celeste, Spring, illus: one untitled drawing, "The Eternal Silence of Infinite Space," "Swank Sadness," "Winter Abstraction," color, pp. 48-51 |
| | Knight, Christopher, "Critiques of Pure Abstraction: Curatorial Concept in Search of an Enemy," Los Angeles Times, 11 February |
| | Milazzo, Richard, "L'indifferenziata e inumana ultima cosa," Tema Celeste, Spring, p. 35 |
| | Milazzo, Richard, Joey T. Lamb and R.T. Vullo, "According to What: A Column about Art and the Kitchen Sink," Artnet, 16 March, illus: "The Eternal Silence of Infnite Space," "Moral Fantasia," "When Trees Become Flowers," "Nearly Soul," color |
| | Servetar, Stuart, "Jonathan Lasker at Sperone Westwater, " New York Press, 10-16 April, p. 89 |
| | Karmel, Pepe, "Jonathan Lasker at Sperone Westwater, " New York Times, 19 April, p. C22 |
| | Unauthored, "Jonathan Lasker at Sperone Westwater," The New Yorker, 22 April |
| | Juncosa, Enrique, Arthur Danto, and Demetrio Paparoni, Nuevas Abstracciones, catalogue essays for exhibition at Reina Sofia, 175 pp., illus: "Reverse Society," "Public Love," "To Believe in Food," color |
| | Benjamin, Andrew, What is Abstraction?, Academy Editions, paperbound, 64 pp., illus: "Expressions of an Uncertain Universe," "Infant Wisdom," "Natural Order" |
| | Briand-Picard, Claude, Christophe Cuzin, Antoine Perrot, "Interview with Jonathan Lasker," Peindre?, Positions Press, paperbound, pp. 156 |
| | Rivero, Tahia, Ruth Auerbach, Maria Luz Cardenas, Raphael Rubinstein, Fernando Castro Florez & artists' statements, Transatlantica, The America Non Representiva, catalogue essays for exhibition at Museo Alejandro Otero, illus: "Libidinous Prehistory," color, pp. 60-61 |
| | Le Thorel-Daviot, Pascale, Petit Dictionnaire des Artistes Contemporains, Bordas Press, paperbound, 287 pp., illus: "The Ecstasy of Logic," color |
| | Unauthored, Jonathan Lasker, catalogue for 1993 and 1996 exhibitions at Sperone Westwater, New York, illus: "Sensible Arrangement," "Winter Abstraction," "Swank Sadness," "Supplemental Reality," "When Trees Become Flowers," "Nearly Soul," "The Value of Pictures," "The Outsides Are In," "Reverse Society," "Between Theory and Reality," "The Pride of Being," "Moral Fantasia," color, unpaginated |
| | Greene, David A., "Screen at Friedrich Petzel Gallery," Art+Text, May, pp. 80-81 |
| | Moos, David, Jonathan Lasker, et al., Art & Design No. 48: Painting in the Age of Artificial Intelligence, paperbound, 92 pp., illus: "The Divergence of Truth and Beauty," "The Consciousness of Animals," "Let Us Become Ultimate," "Supplemental Reality," color, frontispiece, pp. 6, 7, 10-13, 54-63 |
| | Clowes, Jody, "Critiques of Pure Abstraction," Isthmus, 7 June |
| | Adams, Brooks, "The Abstract Century," Art in America, July, pp. 59-60 |
| | Wiese, Heidi, "Schnönheit ist Wieder Eraubt: 'Abstrakte Malerei Heute'," Westfälen-Blatt, 26 July |
| | Stiftel, Ralf, "Die Schönheit Kehrt Zurück: Die Kunsthalle Bielefeld," Westfälischer Anzeiger, 26 July, illus: "To Believe in Food," b/w |
| | Lüddemann, Stefan, "Kühle Bildstrategien: Abstrakte Malerei Heite," Neue Osnabrüker Zeitung, 27 July, illus: "Public Love," b/w |
| | Strecker, Manfred, "Unbeschweert Malen: 'Abstrakte Malerei Heute'," Neue Westfälische Zeitung, 27 July |
| | Stachelhaus, Heiner, "Die Malerei ist Tot-Es Lebe die Malerei: Bielefeld Zeigt die 'Neuen Abstrakten'," Neue Ruhr Zeitung, 31 July |
| | Osborne, Lawrence, Peter Astrom, The New York Scene 1996, catalogue essays for exihibition at Gotland Konstmuseum, illus: "Symmetrical Diversion," color, p. 10 |
| | Unauthored, "Abstrakte Malerei Heute-Neuvas Abstracciones," Bielefeld der Spiegel, 1 August, illus: "To Believe in Food," b/w, p. 20 |
| | Thiede, Veit-Mario, "Alles ist Möglich: Abstrakte Malerei Heute," Main Echo, 2 August |
| | Müller, Michael-Georg, "Geschüttelte Farben und Grosse Formate: 'Abstrakte Malerei Heute'," Neue Westfälische Rundschau, 2 August |
| | Zimmer, Klaus, "Das Erlebnis der Form ist den Künstlern Wichtig: Künsthalle Bielefeld Zeigt 'Abstrakte Malerei Heute'," Cellesche Zeitung, 6 August |
| | Thiede, Veit-Mario, "An Rosa Schokolade Glauben: Eine Ausstellung in Bielefeld," Trierischer Volksfreund, 10-11 August |
| | Unauthored, "Die Malerei der Unbegrenzten Mölichkeiten," Aktuelle Kunst, illus: "Public Love," "To Believe in Food," b/w |
| | Moszynska, Anna, "New York Round-Up," Untitled, Summer, p. 8 |
| | Moos, David, Donna De Salvo, Forces of the Fifties, catalogue essays for exhibition at Wexner Center, illus: "Expressions of an Uncertain Universe," b/w, p. 35 |
| | Burgi, Bernhard, Playpen & Corpus delirium, catalogue essay for exhibition at Kunsthalle Zürich, illus: "Rural Geometry," b/w, pp. 42-43 |
| | Godfrey, Tony, Melissa Larner, et al., The 20th Century Artbook, Phaidon Press, hardbound, 512 pp., illus: "Public Love," color |
| | Mitchell, W. J. T., R. Feinstein, S. Kaneda, C. Van Schoonbeck, Re: Fab, catalogue essays for exhibition at University of South Florida, illus: "Chimerical Seasons," "Medium Exaltation," color, pp. 18, 20 |
| | Paparoni, Demetrio, "L'astrazione Ridefinita," Tema Celeste, Autumn, illus: "Rustic Psyche," "Digital Affection," color, pp. 38-39 |
| | Danto, Arthur, "The Pure, The Impure and The Non-Pure," Tema Celeste, Autumn, illus: "To Believe in Food," "Public Love," color, p. 52 |
| | Kellein, Thomas, Hans-Michael Herzog, A. Danto, E. Juncosa, Abstrakte Malerei Heute-Nuevas Abstracciones, catalogue essays for exhibition at Kunsthalle Bielefeld, illus.: "To Believe in Food," "Public Love," color, pp. 22-23 |
| | Watkin, Mel, Martin Ball, Reconditioned Abstraction, catalogue essays for exhibition at Forum for Contemporary Art, St. Louis, 20 pp., illus: "Permanent expressions," b/w, "Selective Identity," color |
| | Silva, Eddie, "Reconditioned Abstraction: The Irony Curtain," Riverfront Times, 27 November-3 December, p. 1 |
| | Duffy, Robert W., "Reconditioned Abstraction: It's Abstract All Right," St. Louis Post Dispatch, 1 December |
| 1997 | De Chassey, Eric, Camille Morineau, Abstraction/Abstractions: Géometries Provisoires, catalogue essays for exhibition at Musée d'Art Moderne, 224 pp., illus: "Animal Progress," "Second Nature," "When Trees Become Flowers," "The Kissed and the Missed," color |
| | Polsky, Richard, Art Market Guide: Contemporary American Art, The Marlit Press, paperbound, 250 pp. |
| | Rubinstein, Rapahel, Peintures Croisées, L'Harmattan Press, paperbound, 186 pp., illus: "Expressions of an Uncertain Universe," b/w |
| | Paparoni, Demetrio, "Jonathan Lasker," Il Corpo Parlante dell'Arte, Castelvecchi, Rome, Italy, paperbound, illus: "The Picture of Discretion," color, pp. 100-108 |
| | Paparoni, Demetrio, "L'astrazione ridefinita: verso il terzo millennio," Il Corpo Vedente dell'Arte Castelvecchi, Rome, Italy, paperbound, illus: "Little Fatty," color, pp. 48-61 |
| | Domino, Christophe, "Abstraction/Abstractions: L'Abstraction Derrière La Grille," Beaux-Arts, February, illus: "When Trees Become Flowers," color, p. 26 |
| | Protzman, Ferdinand, "Pushing the Envelope & Drawing on It: NY on Paper," The Washington Post, 1 March, illus: untitled drawing, b/w, p. C2 |
| | Archer, Michael, Art Since 1960, Thames & Hudson, paperbound, 224 pp. |
| | Georgia, Olivia, Lilli Wei, After the Fall: Aspects of Abstract Painting Since 1970, Vol. 1, catalogue for group exhibition at Newhouse Center for Contemporary Art, 191 pp., illus: "Beat the System," color |
| | Georgia, Olivia, David Carrier, Peggy Cyphers et al., After the Fall: Aspects of Abstract Painting Since 1970, Vol. 2, catalogue of responses to exhibition at Newhouse Center for Contemporary Art, 59 pp. |
| | Buci-Glucksman, Christine, "Vers Une Post-Abstraction," Rue Descartes 16, April, pp. 54-62 |
| | Rubinstein, Raphael, "Le Sens Plastique de la Peinture," Rue Descartes 16, April, pp. 67-71 |
| | Millet, Catherine, "Geometries Provisoires," Art Press, April, illus: "When Trees Become Flowers," b/w, pp. 80-82 |
| | Cotter, Holland, "An Era Still Driven To Abstraction: Review of 'After the Fall: Turning the Corner'," New York Times, 11 April, p. C24 |
| | Danto, Arthur C., Demetrio Paparoni, and Mario Perniola, "Style, Narrative and Post-History-A Conversation," Tema Celeste, May-June, pp. 40-47, 106-110 |
| | Rey, Stephane, "Jonathan Lasker at Velge et Noirhomme," L'Echo, 6 June |
| | Rollin, Pierre-Olivier, "La Peinture Selon Jonathan Lasker: Galerie Velge et Noirhomme," Le Vif/L'Epress: Weekend, 13 June, illus: 1997 untitled oil study on paper, color, p. 53 |
| | Popelier, Bert, "De oppervlakten van Lasker: Jonathan Lasker at Velge Noirhomme," Tijd Cultuur, 16 June |
| | Paparoni, Demetrio, "Ein Neues Verstaendnis von Abstraktion," Noema, June-July, pp. 42-47 |
| | De Chassey, Eric, "Jonathan Lasker at Thaddaeus Ropac: L'Abstrait Hybride," L'Oeil, July/August, illus: "For the Eye of the Beautiful beholder," color, p. 15 |
| | Patrick, Keith, "Editorial," Contemporary Visual Arts, #15, Summer, pp. 13-15 |
| | Moszynska, Anna, Peter Schjeldahl, et al., The Age of Modernism: Art in the Twentieth Century, Hatje Verlag, hardbound, illus: "Artistic Painting," b/w, p. 217 |
| | Dynes, Wayne R., Turning the Corner: Abstraction at the End of the Twentieth Century, catalogue essay for exhibition at Hunter College, New York, illus: untitled study, b/w |
| | Gourvil, Olivier, Eric de Chassey, Jonathan Lasker, Raphael Rubinstein, et al., Tableau Territoires Actuels, École Régionale Des Beaux-Arts de Valence, paperbound, 93 pp. illus: "When Trees Become Flowers," "Sensible Arrangement," "Live Life Live," b/w |
| | Schwabsky, Barry, The Widening Circle: Consequences of Modernism in Contemporary Art, Cambridge University Press, paperbound, 230 pp. |
| | Buci-Glucksman, Christine, "Une Abstraction Impure: de Marcel Duchamp à la Cartographie," Trans #4, pp. 122-130 |
| | Ostrow, Saul, Essential Gestures, catalogue essay for exhibition at Johnson County Community College Gallery of Art, unpaginated, illus: "Stable Aberrance," color |
| | Slesin, Suzanne, "Frame Work," Hose and Garden, September, illus: "The Picture of Discretion," color, p. 213 |
| | Springenschmid, Ingo, Licht Raum . . . Schwarz, catalogue essay for exhibition at Künstlerhaus Palais Thurn und Taxis, illus: installation view of "Inlet," "The Trophies," "Invective Décor," color |
| | Muller, Brian, "Abstraction/Abstractions: Géometries Provisoires," Flash Art, October, p. 77 |
| | Schmidt, Jürgen, "Aus der Not Eine Tugend Gemacht," Westfalen-Blatt, 28 November, illus: "The Eternal Silence of Infinite Space," b/w |
| | Morisse, Wolfgang, "Jonathan Lasker in der Kunsthalle: Farbig, Festlich und Humorvoll," Die Glocke, 28 November |
| | Britsch, Eckkhard, "Jonathan Lasker at Kunsthalle Bielefeld: Malerei von Eingefrorener Spontaneitat," Neue Westfälische Zeitung, 29 November, illus: "For the Eye of the Beautiful Beholder," color |
| | Thorson, Alice, "New Realities of Abstraction at Johnson County Community College," The Kansas City Star, 30 November, pp. L1, L7 |
| | Unauthored, "Jonathan Lasker Gemälde 1977-1997," Live, 1 December, illus: "Love's Rhetoric," color |
| | Unauthored, "Jonathan Lasker: Abstrakt & Heftig," Tips, 1 December, illus: "Love's Rhetoric," color |
| | Schmidt, Jürgen, "Jonathan Lasker in der Kunsthalle: Weg Aus der Sackgasse Gefunden," Westfalen-Blatt, 1 December, illus: "For the Eye of the Beautiful Beholder," b/w |
| | Unauthored, "Jonathan Lasker: Gemälde 1977 Bis 1997," Bielefelder Spiegel, 1 December |
| | App, Volkhard, Redaktion Kulturspiegel, 3 December, nine-minute radio broadcast on NDR1 |
| | Wallmann, Jürgen P., "Mosaik," Mittwoch, 3 December, one-hour radio broadcast on WDR3, Cologne, Germany |
| | Lingemann, Susanne, "Mit Bass, Schlagzeug und Gitarre," Art, December, illus: "It's A Free Country," "Nearly Soul," "Today's Universe," "Simple Painting," "5 of Spades," color, pp. 88-91 |
| | Hindry, Ann, "Interview with Jonathan Lasker: Painting, Impersonality, Critique," Art Press, December, illus: "Believe in Everything," "Why People Are Nice," "A Fine Day in the Wrong Universe," "The Art of Good Appearance," "Psychic Governance," color, pp. 20-25 |
| | Fischer, Jim, "New Art on Display at Johnson County Community College: Essential Gesture," The Campus Ledger, 4 December, p. 4B |
| | Lettmann, Achim, "Die Linie Wird Zur Fläche: Die Bielefelder Kunsthalle Zeigt Jonathan Laskers Abstrakte Malerei," Westfälischer Anzeiger, 4 December, illus: "Formidable Embodiment," b/w |
| | Kreis, Elfi, "Jonathan Lasker at Kienzle & Gmeiner: Am Anfang der Endlosschleife," Der Tagesspiegel, 6 December, illus: "That It May End," b/w, p. 28 |
| | Hoffmans, Christiane, "Jonathan Laskers Erste Deutsche Einzel-Austellung: Kunsthalle, Bielefeld," Die Welt am Sonntag, 7 December, illus: "To Belive in Food," b/w |
| | Imdahl, Georg, "Ein Gefühlsausbruch findet nicht statt," Frankfurter Allgemeine Zeitung, 12 December, illus: "Confessions of a Groundhog Fancier," b/w, p. 44 |
| | Unauthored, "Bielefeld: Ölgemalde die Schockieren," Prisma, 13 December, illus: "Popular Psyche," color |
| 1998 | Daniel, Jeff, "Reality and Abstraction: Blurring the Lines," St. Louis Post-Dispatch, 18 January, p. D4 |
| | Van de Velde, Paola, "Groot Overzicht Jonathan Lasker in Stedelijk," De Telegraaf, 11 February, illus: "Simple Painting," b/w, p. T13 |
| | Thorson, Alice, "Art to Art Talk with David Moos," The Kansas City Star, 12 February, p. F6 | |
| | Schumacher, Rogier, "Goede Schilderkunst is Altijd Conceptueel: Jonathan Lasker at the Stedelijk Museum," Het Patrool, 17 February, illus: "Nature Study," b/w |
| | Wesseling, Janneke, "Overzicht Van Abstracte Schiderijen in Het Stedelijk Museum: Lasker Worstelt Met de Gordijnen," NRC Handelsblad, 25 February, illus: "It's A Free Country," b/w |
| | Van Beek, Willem, "Jonathan Lasker: Eerste Solo-Tentoonstelling in Ons Land," Kunstbeeld, March, illus: "Illinois," "5 of Spades," "Sensible Arrangement," color, pp. 22-24 |
| | Süto, Wilma, "Lasker Blaast de Schilderkunst Brutaal Nieuw Leven in: Jonathan Lasker at the Stedelijk Museum," Volkskrant, 2 March, illus: "Public Love," b/w |
| | Lütticken, Sven, "Culturele Promiscuïteit: Jonathan Lasker, Het Sacrale en Het Banale," De Witte Raaf, March/April, illus: "How To Be," "The Ecstasy of Logic," b/w, pp. 22-23 |
| | Dank, Ralf, "Kompromisslose Kunst," St. Gallen Nachrichten, 23 April, p. 45 |
| | Unauthored, "Preview: Traveling Exhibitions," Artforum, May, p. 63 |
| | "Kunstmuseum: Jonathan Lasker," Terzett, May, illus. "Today's Universe", "To Believe in Food," b/w, p. 13 |
| | "Malerei ist meine Sprache," St. Gallen Tagblatt, 2 May, p. 14Kultur |
| | Mack, Gerhard, "Sprachnot und Perfektion," Kultur, 4 May, p. 11 |
| | "Paintings 1977 bis 1997," Anzeiger, 5 May |
| | Schaufelberger, Peter E., "Kunst aus dem Selbstbedienungsladen," Südkurier, 7 May |
| | Mack, Gerhard, "Malen nach dem Zufallsprinzip," Extra, 8 Mai, p. 69 |
| | Mack, Gerhard, "Jonathan Lasker im Kunstmuseum," Kunst-Bulletin, June, illus. "Today's Universe," color, p. 43 |
| | "Nonchalance im Steinbruch der Moderne," Neue Zürcher Zeitung, 5 June, p. 46 |
| | Kliner, Dion, "After the Disasteroid," Flash Art, Summer, illus. "They Do Not Exclude," color, p. 113 |
| | Buci-Glucksman, Christine, "Vers une Post-Abstraction," Parachute, July-August-September, illus: "Assertive Existence," b/w, p. 47 |
| | Unauthored, "Sperone Westwater: Summer Group Exhibition," New York Contemporary Art Report, June, illus: "Exclusive Existence," color, p. 81 |
| | Kaeppelin, Olivier, Michel Bulteau, Jonathan Lasker, essays and interview for solo exhibition at the ART C. association art contemporain, Ville d'Issoire, paperbound, 88 pp., illus: 30 paitings, color |
| | Arnold, Genevieve, Connections and Contradictions: Modern and Contemporary Art from Atlanta Collections, catalogue for exhibition at the Michael C. Carlos Museum, Emory University, illus: "The Aesthetics of Argument," b/w, p. 6 |
| | Gilbert, David, "Interior Design's Guide to Fall in New York," Interior Design, September, illus: "Lives of Perpetual Wonder," color, p. 56 |
| | Bourbon, Matthew, "Sperone Westwater," New York Arts Magazine, 25 October, illus.: "Lives of Pepetual Wonder," b/w, p. 47 |
| | Hinson, Tom E., Cleveland Collects Contemporary Art, catalogue for exhibition at the Cleveland Museum of Art, Cleveland, OH, 1998, paperback, illus: "False Transcendence," color, p.117 |
| | Power, Kevin, Jonathan Lasker, essay for solo exhibition at Soledad Lorenzo Gallery, paperbound, 43 pp., illus: "Precise Love," "Modern Weeping," "If Pebbles Were Boulders," "A History of Common Moments," "Things Have Reason," " Were 8 On This Side," "Competitive Exclusion," color, pp. 16-28, four untitled drawings, b/w, pp. 26-27 |
| | Polzer, Brita, "Kunst: Avantgarde-Mode/Kinder-museum/Jonathan Lasker," Mirabelle, no. 11 [November?], p. 10 |
| 1999 | Jones, Alan, "Giuseppe Capogrossi," Tema Celeste, January-February 1999, illus.: "Between Theory and Reality," p. 86 |
| | Auping, Michael, David Moos, Jonathan Lasker: Selective Identity Paintings from the 1990's, catalogue essays for solo retrospective exhibition at The Forum for Contemporary Art, St. Louis, MO; The Power Plant, Toronto, Canada; Rose Art Museum, Brandeis University, MA; Birmingham Museum of Art, AL, published by Birmingham Museum of Art, 103 pp., illus.: 22 paintings, 13 oil paintings, color |
| | Siegal, Katy, "Jonathan Lasker: Selective Identity," ArtForum, Vol. XXXVIII, No. 1, September 1999, p. 40 |
| | Bois, Yve-Alain, Enrique Juncosa, Rosalind Krauss, et al., Abstraction, Gesture, Ecriture; paintings from the Daros Collection, Edited by Peter Fischer, 1999, Alesco AG, pp. 134-142 |
| | Daniel, Jeff, " Osver and Lasker are contemporary companions," St. Louis Post-Dispatch, October 10, 1999, p. 6 |
| | Silva, Eddie, "Still Life," The Riverfront Times, October 13-19, 1999, p. 56 |
| | Zimmer, Mallarie N.,"Selective Identity," Intermission Visual Art, October 1999, p.19 |
| | "Jonathan Lasker," The New Yorker, 8 November, 1999, p. 18 |
| | Ebony, Dabid, " David Ebony's Top Ten; Jonathan Lasker at Sperone Westwater," Artnet.com, 27 November 1999 |
| 2000 | Edelman, Robert G., "Abstract New York," Artnet.com, 11 November 1999 |
| | Thorson, Alice, "Eye of the collector," The Kansas City Star, October 1999, pp. 1-3. |
| | "Lasker's long reach," The Art Newspaper, Vol. X, No. 97, November 1999, p. 70 |
| | Daniel, Jeff, "Jonathan Lasker; Forum for Contemporary Art," ARTnews, Vol. 98, no. 11, December 1999, p.176 |
| | Moszynska, Anna,"Jackson Pollock; Revisited," contemporary visual arts, issue 22,1999, pp.46-53 |
| | Thorson, Alice," Driven to Abstraction," The Kansas City Star, 16 January, 2000, pp. J1, J4. |
| | Kastner, Jeffrey, "Jonathan Lasker; Sperone Westwater," Artnews, Vol 99, No. 2, February 2000,p. 163 | |
| | Gofrey, Tony, "Jonathan Lasker: the dialectics of touch," contemporary visual arts, issue 28,pp.22-27 |
| | Arte Americana; Ultimo Decennio, exhibition catalogue, 2000, Museo d'Arte della |
| | Citta di Ravenna/Edizioni Gabriele Mazzotta, p. 79 & 80 |
| | "Jonathan Lasker," Tema Celeste retrospective, excerpt from "Codici di gestualità, Jonathan |
| | Lasker," conversazione con Demetrio Paparoni, January 1990, Summer 2000, p. 151 |
| | Schwabsky, Barry, "Jonathan Lasker," Artforum, September 2000, p. 175 | |
| | Bonetti, David, "Gallery Watch," San Francisco Examiner, October 12, 2000, C-11 |
| | Baker, Kenneth, "Odd Abstractions," San Francisco Chronicle, 28 October 2000, p. D2 |
| | Gian Enzo Sperone; Torino, Roma, New York; 35 Anni di Mostra tra Europa e America, 2000, p. 370, 402-403, 456 |
| | da Warhol al 2000, Palazzo Cavour, Regione Piemonte, exhibition catalogue, 2000, p. 73 |
| 2001 | Smolik, Noemi, "Stories from the Dictionary of Modernism," American Art from the Goetz |
| | Collection, Munich, Galerie Rudolfinum, Prague, The Centre of Contemporary Art, exhibition catalogue, 24 May - 2 September 2001, pp. 42-45 |
| | “Green on Greene,” exhibition catalogue, Sperone Westwater, New York, 2001. |
| | Yablonsky, Linda, “Green on Greene,” Time Out New York, 22-29 November 2001, p. 58. |
| | Ryan, David, “Visible Thoughts, An Interview with Jonathan Lasker,” Art Papers Magazine, September – October 2001, pp. 28-33. |
| 2002 | “Paparoni, Demetrio, Lasker, Paintings 1977-2001,” Alberico Cetti Serbelloni Editore, 2002. |
| | “Drawn From a Family,” exhibition catalogue, Colby College Museum of Art, Maine, 2002. |
| 2003 | “Thick and Thin,” discussion with Lasker, Dunham, Federle, Griffin, Koether, Prietò, Relyea, Winters and Yuskavage, introduced by Robert Storr, Artforum, April 2003, pp. 174-179, 238. |
| | Siegel, Katy, “Jonathan Lasker, Palacio Velázquez, Reina Sofia,” Artforum, May 2003, pg. 69. |
| | “Jonathan Lasker: 1977-2003: Pinturas, Dibujos, Estudios,” exh. cat., Museo Nacional Centro de Arte Reina Sofía, 5 June – 7 September, 2003. |
| PUBLICATIONS BY THE ARTIST |
| 1981 | Cave Pictures. A book of drawings by Jonathan Lasker and poetry by Everett Potter. Published by the Kaldewey Press, Düsseldorf, Germany |
| 1986 | Untitled essay. Effects Magazine, winter issue |
| | After Abstraction. Published in What It Is, catalogue for exhibition at Tony Shafrazi Gallery |
| 1987 | Abstraction After Itself. Essay published in Corcoran Gallery of Art Biennial catalogue |
| | Falling In Lava. Essay published in Eugene Leroy, catalogue for exhibition at Musée d'Art Moderne Villeneuve d'Asco |
| 1988 | Racing Form. Essay published in Journal of Contemporary Art, volume 1/number 2 |
| 1989 | Not A First. A book of drawings by Jonathan Lasker and poetry by John Ashbery. Published by the Kaldewey Press, Poestenkill, NY |
| 1991 | Pariahs. Essay published in An Anthology of Statements: White Columns, Collins & Milazzo, Editors |
| 1994 | Willelm De Kooning: Paintings for the Living. Published in Jong Holland, issue #1/94 |
| | Beauty in the Age of Roadkill. Published in 99, Turn of the Century Magazine, fall issue |
| 1995 | Plastic Made Perfect: Measuring Mondrian: New Math. Published in Artforum, September |
| 1996 | Sleep and Poetry: The Consciousness of Animals. Essay published in Art & Design no. 48: Painting in the Age of Artificial Intelligence |
| 1998 | Jonathan Lasker: Complete Essays, 1984-1998. Published by Edgewise Press, New York, Paris, Turin, paperbound, 62 pp. |
| 1999 | Essays, 1984-1998. Essays published in Likovne Besede Artwords, no. 47-48, Mai1999, Slovenia, pp. 57-69, 86-87. |
| SELECTED PUBLIC COLLECTIONS |
| | Albright-Knox Art Gallery, Buffalo, NY |
| | Birmingham Museum of Art,Birmingham, AL |
| | The British Library, London, England |
| | Casino Luxembourg, Forum for Contemporary Art, Luxembourg |
| | The Corcoran Gallery of Art, Washington, D.C. |
| | De Peter Stuyvesant Stichting, Amsterdam |
| | Eli Broad Foundation, Los Angeles, CA |
| | Fond National d'Art Contemporain, Paris, France |
| | Los Angeles County Museum of Art, Los Angeles, CA |
| | La Fondación Caja de Pensiones, Madrid |
| | High Museum, Atlanta, GA |
| | Hirshhorn Museum & Sculpture Garden, Washington, D.C. |
| | MIT-List Center for the Visual Arts, Cambridge, MA |
| | Moderna Museet, Stockholm, Sweden |
| | Museo de Arte Contemporaneo, Seville, Spain |
| | Museum Ludwig, Cologne, Germany |
| | New York Public Library, New York |
| | Wacoal Art Center, Tokyo, Japan |
| | Whitney Museum of American Art, New York |
| | Wichita Art Museum, Wichita, KS |
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