Skip to content
Sperone Westwater: 50 Years - Exhibitions - Sperone Westwater

Alighiero e Boetti, Untitled, ca. 1990, embroidery on cloth

Press Release

In fall 2025, Sperone Westwater celebrates its 50th anniversary. The gallery’s early years established a lasting tradition of presenting challenging, provocative and engaging work to new audiences. Founded as a three-way partnership between Angela Westwater, Gian Enzo Sperone and Konrad Fischer, the initial program brought together the European avant-garde with a core group of American artists to whom the founders were deeply committed. Over five decades, the program has continually evolved and expanded, particularly through long-term relationships with artists such as Bruce Nauman, Richard Long, Wolfgang Laib and Susan Rothenberg.

Artists featured in Sperone Westwater: 50 Years are Carl Andre, Bertozzi & Casoni, Alighiero e Boetti, Joana Choumali, Francesco Clemente, Hanne Darboven, Kim Dingle, Shaunté Gates, Jim Gaylord, Peter Halley, Jitish Kallat, On Kawara, Guillermo Kuitca, Wolfgang Laib, Helmut Lang, Charles LeDray, Sol LeWitt, Amy Lincoln, Richard Long, Emil Lukas, David Lynch, Heinz Mack, Brice Marden, Mario Merz, Katy Moran, Malcolm Morley, Bruce Nauman, Mimmo Paladino, Otto Piene, Alexis Rockman, Gamalíel Rodriguez, Susan Rothenberg, Robert Ryman, Peter Sacks, Peter Schlesinger, Julian Schnabel, Kyungmi Shin, Richard Tuttle, Cy Twombly, Kevin Umaña, Andy Warhol, William Wegman.

The gallery began and continues with Angela Westwater as resident managing partner, while Fischer and Sperone continued operating their respective galleries in Düsseldorf and Turin.Westwater worked briefly for John Weber at his gallery at 420 West Broadway, the first gallery building in SoHo, before becoming the Managing Editor at Artforum from 1972 to 1975. Bruce Nauman, who first exhibited with the gallery in 1976 (and held his fifteenth solo show there in 2024), said of Westwater: “The first time I met her, the gallery had just opened. She was so nervous. She had the art background but not the sales experience, so she learned it. She had to learn it. She was like Leo Castelli in the sense that the work was the work, and she is deeply invested in her artists' work.”

Opening at 142 Greene Street as the SoHo gallery scene emerged, Sperone Westwater later expanded to a second location at 121 Greene Street. In 2002, the gallery moved ahead of the curve to the Meatpacking District at 415 West 13th Street. Artists Alexis Rockman, Kim Dingle and Bertozzi & Casoni were among the artists joining the gallery’s dynamic program around this time. In 2010, Sperone Westwater inaugurated its award-winning building at 257 Bowery, designed by Norman Foster, with a solo exhibition by Guillermo Kuitca. The building—known for its distinctive “moving room”—was among the first purpose-built galleries in New York commissioned from a major architect. In 2011, the Municipal Art Society of New York presented Foster + Partners their MASterworks Award of Best New Building for Sperone Westwater at 257 Bowery. Over the past decade, a new generation of artists has joined the program, including Joana Choumali, Shaunté Gates, Jim Gaylord, Jitish Kallat, Amy Lincoln, Katy Moran, Gamaliel Rodríguez, Kyungmi Shin and Kevin Umaña, contributing to the gallery’s innovative and evolving identity.

Installations

Installations Thumbnails
the corner of a gallery pictured with framed artworks of different sizes on the wall
opposite corner of gallery pictured with four framed artworks
bookshelf ledge with many art catalogues with artworks hung on the wall above the ledge
a vitrine in the center of a gallery with three artworks on the wall in the background
one artwork on each wall on either side of a hallway leading into a room with a sculpture of animals hanging from the ceiling
the corner of a gallery pictured with framed artworks of different sizes on the wall
opposite corner of gallery pictured with four framed artworks
bookshelf ledge with many art catalogues with artworks hung on the wall above the ledge
a vitrine in the center of a gallery with three artworks on the wall in the background
one artwork on each wall on either side of a hallway leading into a room with a sculpture of animals hanging from the ceiling

Selected Works1

Selected Works1 Thumbnails
Square embroidery art work with letters in red, black, blue and white

Alighiero e Boetti
Untitled, ca. 1990
embroidery on cloth
13 x 13 3/4 inches (33 x 34,9 cm)

Inquire
Framed drawing of an abstract horse outlined in pale blue with intersecting geometric lines forming two x's over it, set against a white background

Susan Rothenberg
Untitled Drawing #48, 1977
acrylic and graphite on paper
38 1/4 x 50 inches (97,2 x 127 cm)
54 1/4 x 65 3/8 x 2 1/4 inches (137,8 x 166,1 x 5,7 cm) frame

Inquire
Two side-by-side black-and-white silkscreens, each showing a hand marked with the number 666 and the text 'THE MARK OF THE BEAST,' one with a black background and white linework, the other with a white background and black linework.

Andy Warhol
The Mark of the Beast (Negative); The Mark of the Beast (Positive), circa 1985-86
synthetic polymer paint and silkscreen ink on canvas
diptych; 20 x 16 inches (50,8 x 40,6 cm) each

Inquire
Round wall-mounted artwork with a wood panel background featuring multiple black-and-white painted fragments arranged in a circular composition.

Richard Tuttle
"Source of Imagery, 1, (Don Giovanni)", 1994
plywood, acrylic paint, wooden block, plastic tubing and bottle brush
50 inches (127 cm) diameter

Inquire
Large sculpture made of tan-colored taxidermy molds of deer-like animals, suspended from the ceiling in a cluster with limbs pointing outward

Bruce Nauman
Two Leaping Foxes, 2018
polyurethane foam with steel and wire cables
141 1/2 x 90 x 38 inches (359,4 x 228,6 x 96,5 cm)

Inquire
Watercolor and gouache painting showing a cluster of monarch butterflies under a tall tree.

Alexis Rockman
Monarchs, 2013
watercolor and gouache on paper
72 1/2 x 52 inches (184,2 x 132,1 cm)
75 7/8 x 55 1/8 x 2 1/4 inches (193 x 140 x 6 cm) frame

Inquire
Colorful painting of stylized overlapping ocean waves in shades of blue and green beneath scalloped pink and blue clouds, creating a rhythmic, repeating pattern

Amy Lincoln
Overlapping Waves and Clouds (Green, Blue & Pink), 2024
acrylic on panel
60 x 84 x 2 inches (152,4 x 213,4 x 5,1 cm)

Inquire
Square embroidery art work with letters in red, black, blue and white

Alighiero e Boetti
Untitled, ca. 1990
embroidery on cloth
13 x 13 3/4 inches (33 x 34,9 cm)

Framed drawing of an abstract horse outlined in pale blue with intersecting geometric lines forming two x's over it, set against a white background

Susan Rothenberg
Untitled Drawing #48, 1977
acrylic and graphite on paper
38 1/4 x 50 inches (97,2 x 127 cm)
54 1/4 x 65 3/8 x 2 1/4 inches (137,8 x 166,1 x 5,7 cm) frame

Two side-by-side black-and-white silkscreens, each showing a hand marked with the number 666 and the text 'THE MARK OF THE BEAST,' one with a black background and white linework, the other with a white background and black linework.

Andy Warhol
The Mark of the Beast (Negative); The Mark of the Beast (Positive), circa 1985-86
synthetic polymer paint and silkscreen ink on canvas
diptych; 20 x 16 inches (50,8 x 40,6 cm) each

Round wall-mounted artwork with a wood panel background featuring multiple black-and-white painted fragments arranged in a circular composition.

Richard Tuttle
"Source of Imagery, 1, (Don Giovanni)", 1994
plywood, acrylic paint, wooden block, plastic tubing and bottle brush
50 inches (127 cm) diameter

Large sculpture made of tan-colored taxidermy molds of deer-like animals, suspended from the ceiling in a cluster with limbs pointing outward

Bruce Nauman
Two Leaping Foxes, 2018
polyurethane foam with steel and wire cables
141 1/2 x 90 x 38 inches (359,4 x 228,6 x 96,5 cm)

Watercolor and gouache painting showing a cluster of monarch butterflies under a tall tree.

Alexis Rockman
Monarchs, 2013
watercolor and gouache on paper
72 1/2 x 52 inches (184,2 x 132,1 cm)
75 7/8 x 55 1/8 x 2 1/4 inches (193 x 140 x 6 cm) frame

Colorful painting of stylized overlapping ocean waves in shades of blue and green beneath scalloped pink and blue clouds, creating a rhythmic, repeating pattern

Amy Lincoln
Overlapping Waves and Clouds (Green, Blue & Pink), 2024
acrylic on panel
60 x 84 x 2 inches (152,4 x 213,4 x 5,1 cm)