
Alighiero e Boetti, Untitled, ca. 1990, embroidery on cloth
In fall 2025, Sperone Westwater celebrates its 50th anniversary. The gallery’s early years established a lasting tradition of presenting challenging, provocative and engaging work to new audiences. Founded as a three-way partnership between Angela Westwater, Gian Enzo Sperone and Konrad Fischer, the initial program brought together the European avant-garde with a core group of American artists to whom the founders were deeply committed. Over five decades, the program has continually evolved and expanded, particularly through long-term relationships with artists such as Bruce Nauman, Richard Long, Wolfgang Laib and Susan Rothenberg.
Artists featured in Sperone Westwater: 50 Years are Carl Andre, Bertozzi & Casoni, Alighiero e Boetti, Joana Choumali, Francesco Clemente, Hanne Darboven, Kim Dingle, Shaunté Gates, Jim Gaylord, Peter Halley, Jitish Kallat, On Kawara, Guillermo Kuitca, Wolfgang Laib, Helmut Lang, Charles LeDray, Sol LeWitt, Amy Lincoln, Richard Long, Emil Lukas, David Lynch, Heinz Mack, Brice Marden, Mario Merz, Katy Moran, Malcolm Morley, Bruce Nauman, Mimmo Paladino, Otto Piene, Alexis Rockman, Gamalíel Rodriguez, Susan Rothenberg, Robert Ryman, Peter Sacks, Peter Schlesinger, Julian Schnabel, Kyungmi Shin, Richard Tuttle, Cy Twombly, Kevin Umaña, Andy Warhol, William Wegman.
The gallery began and continues with Angela Westwater as resident managing partner, while Fischer and Sperone continued operating their respective galleries in Düsseldorf and Turin.Westwater worked briefly for John Weber at his gallery at 420 West Broadway, the first gallery building in SoHo, before becoming the Managing Editor at Artforum from 1972 to 1975. Bruce Nauman, who first exhibited with the gallery in 1976 (and held his fifteenth solo show there in 2024), said of Westwater: “The first time I met her, the gallery had just opened. She was so nervous. She had the art background but not the sales experience, so she learned it. She had to learn it. She was like Leo Castelli in the sense that the work was the work, and she is deeply invested in her artists' work.”
Opening at 142 Greene Street as the SoHo gallery scene emerged, Sperone Westwater later expanded to a second location at 121 Greene Street. In 2002, the gallery moved ahead of the curve to the Meatpacking District at 415 West 13th Street. Artists Alexis Rockman, Kim Dingle and Bertozzi & Casoni were among the artists joining the gallery’s dynamic program around this time. In 2010, Sperone Westwater inaugurated its award-winning building at 257 Bowery, designed by Norman Foster, with a solo exhibition by Guillermo Kuitca. The building—known for its distinctive “moving room”—was among the first purpose-built galleries in New York commissioned from a major architect. In 2011, the Municipal Art Society of New York presented Foster + Partners their MASterworks Award of Best New Building for Sperone Westwater at 257 Bowery. Over the past decade, a new generation of artists has joined the program, including Joana Choumali, Shaunté Gates, Jim Gaylord, Jitish Kallat, Amy Lincoln, Katy Moran, Gamaliel Rodríguez, Kyungmi Shin and Kevin Umaña, contributing to the gallery’s innovative and evolving identity.
Alighiero e Boetti
Untitled, ca. 1990
embroidery on cloth
13 x 13 3/4 inches (33 x 34,9 cm)
Susan Rothenberg
Untitled Drawing #48, 1977
acrylic and graphite on paper
38 1/4 x 50 inches (97,2 x 127 cm)
54 1/4 x 65 3/8 x 2 1/4 inches (137,8 x 166,1 x 5,7 cm) frame
Andy Warhol
The Mark of the Beast (Negative); The Mark of the Beast (Positive), circa 1985-86
synthetic polymer paint and silkscreen ink on canvas
diptych; 20 x 16 inches (50,8 x 40,6 cm) each
Richard Tuttle
"Source of Imagery, 1, (Don Giovanni)", 1994
plywood, acrylic paint, wooden block, plastic tubing and bottle brush
50 inches (127 cm) diameter
Bruce Nauman
Two Leaping Foxes, 2018
polyurethane foam with steel and wire cables
141 1/2 x 90 x 38 inches (359,4 x 228,6 x 96,5 cm)
Alexis Rockman
Monarchs, 2013
watercolor and gouache on paper
72 1/2 x 52 inches (184,2 x 132,1 cm)
75 7/8 x 55 1/8 x 2 1/4 inches (193 x 140 x 6 cm) frame
Amy Lincoln
Overlapping Waves and Clouds (Green, Blue & Pink), 2024
acrylic on panel
60 x 84 x 2 inches (152,4 x 213,4 x 5,1 cm)
Susan Rothenberg
Untitled Drawing #48, 1977
acrylic and graphite on paper
38 1/4 x 50 inches (97,2 x 127 cm)
54 1/4 x 65 3/8 x 2 1/4 inches (137,8 x 166,1 x 5,7 cm) frame
Andy Warhol
The Mark of the Beast (Negative); The Mark of the Beast (Positive), circa 1985-86
synthetic polymer paint and silkscreen ink on canvas
diptych; 20 x 16 inches (50,8 x 40,6 cm) each
Richard Tuttle
"Source of Imagery, 1, (Don Giovanni)", 1994
plywood, acrylic paint, wooden block, plastic tubing and bottle brush
50 inches (127 cm) diameter
Bruce Nauman
Two Leaping Foxes, 2018
polyurethane foam with steel and wire cables
141 1/2 x 90 x 38 inches (359,4 x 228,6 x 96,5 cm)
Alexis Rockman
Monarchs, 2013
watercolor and gouache on paper
72 1/2 x 52 inches (184,2 x 132,1 cm)
75 7/8 x 55 1/8 x 2 1/4 inches (193 x 140 x 6 cm) frame
Amy Lincoln
Overlapping Waves and Clouds (Green, Blue & Pink), 2024
acrylic on panel
60 x 84 x 2 inches (152,4 x 213,4 x 5,1 cm)